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Opening and Closing in August

August is always one of the quietest months for new exhibitions, and this year is no different, but we do have one big event to alert you to, as well as two splendid shows that only have weeks to run.  The one major opening is  Gwen John: Strange Beauties  at the National Galleries of Scotland in Edinburgh. Running from August 1 to January 4, this is a comprehensive retrospective of the work of the woman perhaps now seen as Wales's most significant artist, born 150 years ago this year. Maybe a little too comprehensive, according to some of the reviews of the show when it was on at the National Museum in Cardiff. The exhibition goes on to the Yale Center for British Art in New Haven, Connecticut, in February and then at the end of July next year to the National Museum of Women in the Arts in Washington DC. We saw a rather smaller Gwen John exhibition in Chichester in 2023.  Last chance to see.... Ending on August 23 is the exhibition at the Lakenhal in Leiden ...

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Opening and Reopening in August

August is normally a thin month for new exhibitions, but as more and more museums and galleries open up again to the public, August 2020 will be rather busier than normal. In London, the Royal Academy gives a new lease of life to one show that was interrupted by the coronavirus lockdown and celebrates the delayed start of another. The interrupted show looks at  Léon Spilliaert , an artist whose finest work stems from his years at home in Ostend at the start of the 20th century, wandering the Belgian port city at night, haunted by insomnia and stomach troubles. It was the last exhibition we reviewed before lockdown, and Spilliaert really couldn't be a better symbol for social distancing, pictured alone in his studio or capturing the eeriness of deserted streets or beaches. August 5 to September 20. Two days after the Spilliaert show restarts, the RA welcomes Gauguin and the Impressionists: Masterpieces from the Ordrupgaard Collection in Denmark, which is currently undergoing...

Opening and Reopening in July -- Even in Britain

Some of Britain's most prestigious museums and art galleries will be open again within weeks, although the visitor experience looks set to be very different. In London, the National Gallery and the Tate have just announced their plans, and it's the National Gallery that will be back in action first, on July 8. There will be timed tickets, limited visitor numbers, initially shorter opening hours, specific routes through the galleries, more efficient air-conditioning, and they'd like you to wear a face covering. Titian: Love, Desire, Death , the show of the reunited Titian series depicting classical myths that was open for just three days before lockdown, is now back on, extended until January 17. And continuing until September 20 is the free show about Rembrandt's pupil  Nicolaes Maes , the painter whose most memorable contribution to the Dutch Golden Age is the witty sub-genre depicting mistresses eavesdropping on their servants. We saw it last year in The Hague. ...

Opening (and Reopening) in June

Here in England, you can visit a car showroom again from June 1, but if you're hoping to get out to see some art during the month, it looks like you'll need to be on the European mainland. Museums across the Netherlands are reopening at the start of June, and one exhibition we can thoroughly recommend is George Stubbs -- The Man, The Horse, The Obsession at the Mauritshuis in The Hague, which is being extended through to August 30. Find out how, in the 18th century, Stubbs was able to produce portraits of horses of unparalleled realism and get the chance to admire Whistlejacket , his most famous work and one of the jewels of London's National Gallery. We saw a bigger, broader version of this show last year at the MK Gallery in Milton Keynes and loved it . Dutch museums will initially be operating at reduced capacity to allow for social distancing, and you need to book online tickets in advance to visit, specifying a timeslot for entry, though there's no need to we...

Reopening in May!

While we're sitting here in Britain waiting for any indications of an easing in the coronavirus lockdown that might allow museums and galleries to reopen, some countries on the European mainland are moving, albeit cautiously, towards letting the public back in. So yes, if you're in the right place, you may be able to get out to enjoy an exhibition in May. And that's important, because however much art you might be able to access online, it's never going to be the same as getting up close to the real thing. Austria and Germany look to be leading the way. In Vienna, there's a last chance at the Belvedere from May 15 to June 1 to catch Into the Night , a look at the role played by clubs and cabarets around the world in the story of modern art -- the antithesis of social distancing. Late 19th-century Paris, Harlem in the 1920s, Weimar-era Berlin: It's a great subject, and there's some fascinating art on show (especially Toulouse-Lautrec's almost abstract...

A Walk on the Dark Side

Let us take you by the hand and lead you through the streets of Ostend, in the company of an insomniac artist with stomach ulcers. Things appear odd at night, eerie lights down deserted streets and along the promenade, when everyone else in the Queen of Belgian seaside resorts has gone to bed. Welcome to the world of  Léon Spilliaert   at the Royal Academy in London, the latest in the RA's spate of exhibitions featuring European artists you've possibly barely heard of but who are rather big names in their home countries. Spilliaert was born in Ostend in 1881, and though he moved away to Bruges to study and later to Brussels and Paris, it's his home town that seems to have inspired his most intriguing pictures. He worked mostly using a wash of Indian ink, with occasional pastel and coloured pencil, to produce often haunting, otherworldly images. Here in  Dyke at Night, Reflected Lights , the town is asleep, apart of course from the solitary wandering artist. There...

British Baroque -- by European Artists!

This bust of Charles II in  British Baroque: Power and Illusion   at Tate Britain really does capture the essence of the Baroque -- extravagant, flamboyant, full of movement, full of drama. The Stuart King's head turns one way, his lace cravat swings in the other direction. Underneath, a swirl of drapery; on top, a wig that could almost be a coiled mass of snakes or a basketful of twisted pastries. It really is quite magnificent. This ostentatious concoction early on in the exhibition was the work of a sculptor for whom Charles never actually sat: French-born, Genoa-based Honoré Pelle. And indeed, though this is a show about how the largely Protestant British aristocracy dipped its toe into the very, very Catholic world of Baroque art in the late 17th and early 18th centuries over the reigns of the late Stuart monarchs, from Charles II to Anne, much of the work you'll see is by foreign artists, Italians, Germans and Dutch among them. And if there's one of those ruler...

Opening and Closing in March

He was only 25 when he died in 1898, yet Aubrey Beardsley 's sensuous, subversive and often risqué drawings are among the most memorable images of the late Victorian era. An exhibition opening on March 4 at Tate Britain in London will be the largest to showcase his original works since the mid-1960s. It runs through until May 25. Over at Tate Modern, the doors open on March 12 on Andy Warhol . The show will feature more than 100 works from across Warhol's colourful career, with images from Marilyn Monroe to Lenin and Mao, not forgetting the odd can of Campbell's soup. On for not just 15 minutes, but almost six months, through to September 6. In the middle of the 16th century, King Philip II of Spain commissioned Titian to paint a series showing Classical myths. The six pictures, dubbed by Titian "poesie" because he saw them as the visual equivalents of poetry, are being reunited for the first time in 400 years for an exhibition at London's National Galler...