For centuries, landscape was usually seen as a backdrop in history or religious paintings, but British Landscapes: A Sense of Place at the Pallant House Gallery in Chichester shows how it evolved as a genre in its own right. And in particular, how artists in the 18th, 19th and 20th centuries were not just reproducing a scene before their eyes but trying to convey in their pictures the emotions and feelings evoked by the land and countryside: the sense of the place, as Pallant Director Simon Martin, who c urated this exhibition, aptly describes it. The show's not on for much longer, but here's a few of our impressions, and let's start with a painting that's a fine example of how an artist puts current events and concerns on canvas. It was December 1916 when Mark Gertler painted this view of the South Coast Near Swanage . It looks so peaceful, the sea is smooth, the distant cliffs of the headland appear soft and even the nearby greenery is out of focus. But W...
What a lot of new exhibitions this October! We list well over 20 across Europe below -- many more than usual -- and have still had to leave out quite a few that we'd mention in most other months in order to keep this post to a reasonable length. Let's start at the Royal Academy in London with deep blue seas, cloudless skies, intense light and the heat of the sun. From October 2 to January 31, you can experience the excitement Renoir, Cezanne, Matisse, Picasso and many others felt while Painting the French Riviera . The exhibition features more than 160 exhibits from the 1870s to the 1960s, and a version of the show travels on to the Cleveland Museum of Art in March. Hmm, Renoir. Now perhaps seen as the most chocolate-boxy of the Impressionists, but without doubt the creator of some of the most recognisable images in French art of the late 19th century. Well worth stealing , and clearly the National Gallery is on to a winner with its Renoir and Love ex...