We must confess that religious paintings are not our favourite subject, and we've tended to regard Spanish Catholic art as being, well, just a little too religious to cope with. So we approached the Francisco de Zurbarán exhibition at the National Gallery in London with a certain amount of trepidation. A degree of contrition is due.... Yes, there were monks, altarpieces and lots of saints, but we were blown away by Zurbarán's ability to depict textures and fabrics and to convey an intensity of feeling. It's an absolutely excellent exhibition, full of truly beautiful paintings. Such religious art was intended to bring the faithful closer to God, to bridge the gap between Heaven and Earth, in an age when many could not read. Zurbarán was a master at it. Let's start with a saint: Just take a look at the fabrics, trimmings and gems in this picture. And the garments are even more striking when you are stood in front of this nearly life-size figure. This is Casild...
We went along to Tirzah Garwood: Beyond Ravilious at Dulwich Picture Gallery expecting to gain most enjoyment from the artist's witty, whimsical early woodcuts and drawings. In fact, rather to our surprise, it was her late paintings and 3-D collages that stole the show: strange, sometimes childlike, sometimes quite sophisticated art, with a touch of the surreal and a great deal of fantasy. And often very joyful, when you consider how the last decade of Garwood's short life was marked by war, death and fatal illness. That's the decade beyond Ravilious; her first husband, Eric, died in a plane crash while working as a war artist in 1942. It's only in recent years that Tirzah's own art has started to draw attention; we first came across her in a small show at the Fry Art Gallery in Saffron Walden back in 2019. This exhibition in south-east London is a much bigger, more comprehensive affair. And one that's been drawing crowds; we arrived at 1200 on a Tuesday and...