The Art Exhibitions Blog

A lot of new shows to tell you about this month as the summer holidays end and autumn arrives, all across Europe, from medieval to digital. The big event at the National Gallery in London is  Radical Harmony: Helene Kröller-Müller's Neo-Impressionists , running from September 13 to February 8. Kröller-Müller was a major early collector of work by the likes of Signac, Seurat, van Gogh and van Rysselberghe, and the bulk of the exhibits here come from the museum she opened in 1938 in the eastern Netherlands.    The most fashionable queen in history? That'll be Marie Antoinette, according to the Victoria & Albert Museum. And from September 20 to March 22, you can see Marie Antoinette Style  at the V&A, exploring how she became a fashion icon whose influence has lasted for more than two centuries -- down to Dior, Chanel and Manolo Blahnik. The exhibition will have more than 250 objects, some of which have never been seen before outside Versailles.  There are ...

Which Japanese artist had the greatest influence on the West at the end of the 19th century? Perhaps not so much Katsushika Hokusai , despite The Great Wave ; maybe more Utagawa Hiroshige, four decades younger and the last great exponent of the ukiyo-e tradition, with his stunningly framed landscapes. From May 1, you have the chance at the British Museum in London to experience Horoshige's world, which ended just as Japan started to open up to the outside. Featuring a large body of work from a major US collection,  Hiroshige: Artist of the Open Road  is on until September 7. And also at the British Museum, a second new exhibition explores the origins of Hindu, Jain and Buddhist sacred art, going back at least 2,000 years. More than 180 objects from the museum's collection as well as items on loan will be on display.  Ancient India: Living Traditions  runs from May 22 to October 19.  If you enjoyed the colour and swagger of the John Singer Sargent show at Tate ...

Paris -- there's always so much art to see, so many blockbuster shows of big-name artists in big-name museums. Sometimes, though, there's a lot of pleasure to be had from getting to know a less familiar painter in a much more intimate setting. Such as when we went to see  Maximilien Luce: The Instinct for Landscape at the Musée de Montmartre.  Luce painted light-filled landscapes in the 1890s following the Divisionist and Pointillist examples of Georges Seurat and Paul Signac, and these would be attractive enough on their own, but there's a lot more to discover in this quite extensive exhibition. There are pictures of men at work, building Paris, and of industry, producing the raw materials for the modern world. Some of these paintings of Belgium's Black Country are very dark indeed. And late on in his career, more light-bathed idylls of life in a riverside village in a rather different neo-Impressionist style.  Now, even though Luce was a Parisian (he lived and worked...

Cleopatra, David and Goliath, Judith and Holofernes. Drama, emotion, colour. Agony and ecstasy. It's all there in Artemisia: Heroine of Art at the Musée Jacquemart-André in Paris. Except they haven't got the space to do it justice. Because if we're going back in art herstory, there's really no bigger name than Artemisia Gentileschi.  This heroine of art draws big crowds, and her often quite sizeable canvases deserve a large stage on which to be properly appreciated. But there's next to no space in the Musée Jacquemart-André, which has some of the most cramped and crowded exhibition rooms we've been to anywhere in Europe. It's a bit like watching City play United -- or perhaps in this case Roma against Napoli -- in your back garden.  But that's enough whinging about the venue -- for a paragraph or two, at least -- because the art is spectacular. Artemisia Gentileschi was a prodigy, creating masterful -- mistressful? -- canvases at quite a young age. In a...

An advertising poster, you might think, is completely ephemeral -- just a sheet of paper that's here today, gone tomorrow, fading in the wind and rain and then pasted over by a newer, fresher advert. The most successful advertising, though, is anything but ephemeral. How many of those television commercials from your childhood still resonate today, for example? And as the advertising poster came into its own in late 19th-century Paris, it produced some of the most striking images in French art -- and became a collector's item in its own right.   Now those posters can be seen en masse at the Musée d'Orsay in  Art Is in the Street , a fun if somewhat bloated exhibition that gives due credit to the masters of the art: not just Alfons Mucha, Pierre Bonnard and Henri de Toulouse-Lautrec , though they're here too, but also many others you've perhaps never heard of. This is a show that neatly brings together art and social history, often a winning formula in our eyes.  An...

There's much to admire about Suzanne Valadon, a very individual, hard-to-categorise painter who truly blazed a trail for women artists in the first half of the 20th century. But could you live with her brutal, unrelenting works on your wall?  One of the pictures that first greets you in the  Suzanne Valadon  retrospective at the Pompidou Centre in Paris is this one -- The Blue Room -- and it certainly slaps you in the face.  Valadon takes the tradition of the odalisque and turns it on its head. You've seen those nude women stretched out on a couch painted by men -- by Titian , by Goya , by Ingres and by Manet , but what about Valadon's version? It's not erotic, by any means. Her model is a bit more solidly built than most, and she's wearing a pair of stripy pyjama bottoms. Fag in mouth, she's also got a yellow paperback novel on the go. Could you imagine a man painting this in the early part of the 20th century? Could you imagine an English woman artist like L...

We'll start off this month by going back to Tuscany in the early 14th century, to the beginnings of modern western European painting. Duccio and Simone Martini were among those in the city of Siena reinventing art. There are more than 100 exhibits in  Siena: The Rise of Painting, 1300-1350 , which runs from March 8 to June 22 at the National Gallery in London. The show was previously on at the Metropolitan Museum in New York, and reviews were generally very good. There's a second show opening later in the month at the National, and it's quite an exotic one, devoted to a 19th-century Mexican artist whose work has not been shown in Britain before.  José María Velasco: A View of Mexico , running from March 29 to August 17, features sweeping landscapes by a painter who was interested not only in the natural world but in the rapid modernisation of his country.  Just around the corner at the National Portrait Gallery, there's a rather more conventional draw:  Edvard Munch ...