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Showing posts with the label Edward Bawden

Very Rich Hours in Chantilly

It is a once-in-a-lifetime experience: the chance to see one of the greatest -- and most fragile -- works of European art before your very eyes. The illustrated manuscript known as the  Très Riches Heures du Duc de Berry contains images that have shaped our view of the late Middle Ages, but it's normally kept under lock and key at the Château de Chantilly, north of Paris. It's only been exhibited twice in the past century. Now newly restored, the glowing pages of  Les Très Riches Heures du Duc de Berry are on show to the public for just a few months. "Approche, approche," the Duke of Berry's usher tells the visitors to the great man's table for the feast that will mark the start of the New Year. It's also your invitation to examine closely the illustration for January, one of the 12 months from the calendar in this Book of Hours -- a collection of prayers and other religious texts -- that form the centrepiece of this exhibition in Chantilly.  It's su...

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Opening and Closing in October

There are a tremendous number of exhibitions opening this month, starting in London with Paul Cezanne at Tate Modern. Cezanne's painting revolutionised art at the end of the 19th century, and the Tate is promising us a "once-in-a-generation" show, the first big retrospective in the UK for more than 25 years, with around 80 works, more than 20 of them never before seen in Britain. They include The Basket of Apples from the Chicago Institute of Art, where the previous version of this show earned rave reviews. Cezanne is on in London from October 5 to March 12.  It's certainly not once in a generation for an exhibition about Lucian Freud, but it is the 100th anniversary of his birth this year, and his seven-decade career is surveyed at the National Gallery. Lucian Freud: New Perspectives will have more than 60 paintings, from early, intimate works to his late monumental fleshy nudes. It runs from October 1 to January 22, before heading to the Thyssen-Bornemisza muse...

Venice in Peril, Part 2

You've just been to one exhibition about Canaletto and Venice, and then a second one comes along straight away, a bit like delayed vaporettos on the Grand Canal.  Canaletto's Venice Revisited at the National Maritime Museum in Greenwich contrasted the painter's classic views of the lagoon city with the threat it faces today from rising sea levels and mass tourism, and  Canaletto and Melissa McGill: Performance and Panorama  at the Lightbox in Woking takes a similar tack. But if Greenwich's display of statistics about population decline and increasing flooding and an array of disposable plastic boots for tourists left us rather depressed, we found something surprisingly soothing and uplifting about the American artist Melissa McGill's attempt to alert us to the same problems.  Back in 2019, McGill created the Red Regatta project, which saw dozens of traditional Venetian sailing boats hoisted with sails she had hand-painted in varying shades of red traversing the ci...

The Artist Who Was Everywhere

If you lived in Britain, particularly in London, during the middle of the 20th century, Barnett Freedman was all around you. As the go-to commercial artist during a period spanning the 30s to the 50s, his work was all over the Tube and London buses, on advertising, stamps and book tokens, as well as adorning the covers of collectable books and providing their illustrations. It's a career that's celebrated, more than six decades after Freedman's death, in a hugely enjoyable exhibition, Barnett Freedman: Designs for Modern Britain , at the Pallant House Gallery in Chichester, which has just reopened after months of coronavirus-induced closure. The Pallant is our local art gallery, and its director, Simon Martin, said he didn't want to "sanitise the experience" of museum-going on reopening. So, while visitor numbers are limited and timed tickets are compulsory, we were pleased that once you got inside, there's actually very little that you would notice tha...

The Englishness of Edward Bawden: Linocuts and Watercolours at Dulwich

There's an distinctive Englishness about Edward Bawden's art. Quirky, humorous and rather understated. So there's quite a lot to like in the  Edward Bawden  exhibition at Dulwich Picture Gallery, the biggest such retrospective since he died in 1989. Some of his linocuts and illustrations are masterful, but his watercolours, while nice, are a wee bit underwhelming. Dulwich's attempt to persuade you of the breadth and depth of his artistic achievement, in a show that brings together more than 150 works, doesn't totally succeed. At his best, Bawden could produce the sort of bold graphics that are instantly recognisable, and one of the six rooms in this show brings together a selection. It's Victoriana seen from the 1950s and 1960s, when, if not quite yet coming back into fashion, it was on the cusp of doing so -- unless it had already been lost to bombing or redevelopment. We get to enjoy  Liverpool Street Station ,  London Markets , and, in this example,  Brig...

Opening in May

Shape of Light is the title of the new show that Tate Modern says aims to tell the intertwined stories of photography and abstract art for the first time. Man Ray and Alfred Stieglitz are among the pioneering photographers featured from May 2 to October 14. At the Royal Academy, the third of Tacita Dean's three spring shows at major London museums opens on May 19. This one focuses on Landscape  and runs to August 12. The two others --  Portrait  at the National Portrait Gallery and Still Life at the National Gallery -- can be seen until May 28. Edward Bawden , perhaps best known as an illustrator and graphic artist, is the subject of a wide-ranging retrospective at Dulwich Picture Gallery that's also intended to champion his work as a fine artist, including innovative watercolours in the 1930s. It's on from May 23 to September 9, following on from Dulwich's excellent David Milne show. The Guildhall Art Gallery in the City of London focuses on William De Morgan...