So the question to ask about the Michaelina Wautier exhibition at the Royal Academy in London must be: Is the hype about this recently rediscovered 17th-century woman painter justified? The answer: Yes, absolutely. She really does merit acknowledgement -- and not just because we recognise a woman working in a man's world. Her art shows she was extremely talented, producing superb canvases covering a diverse range of subject matter. What's more, she painted very large pictures featuring male nudes, such as Bacchus, despite her contemporaries thinking that was not the sort of thing a female artist could do. And her portraits are wonderfully lively and lifelike. This is Martino Martini, an Italian Jesuit missionary who travelled to China in the 1640s. It was painted in 1654, when Michaelina was around 40. Martini, who was staying at the Jesuit College in Brussels, is depicted wearing traditional Chinese silk court attire and a hat of fur and feathers. A rather substantial...
As London's Courtauld Gallery closes for a makeover , some of its highlights are making the short trip up the Strand for a show at the National Gallery. Courtauld Impressionists , which runs from September 17 to January 20, brings together works purchased in the 1920s by the industrialist Samuel Courtauld for his own collection as well as Impressionist and Post-Impressionist paintings he helped acquire for the National Gallery. Manet, Renoir, Cézanne, Seurat and Bonnard are represented and tickets are a modestly priced £7.50. There are two new exhibitions at the Royal Academy. The first traces the career of Renzo Piano , architect of the Shard, and it's on from September 15 to January 20. The second, starting September 29 and running until December 10, looks at the indigenous art of Oceania , marking the 250th anniversary of Captain James Cook's first voyage to the Pacific. Huge canoes and stunning god images are promised among the 200 artefacts. Dulwich...