The Art Exhibitions Blog

What motif could be more Impressionist than a view of the cliffs or beaches of the Normandy coastline? And with this year marking the 150th anniversary of the first Impressionist exhibition, we've been to Normandy to take in a show focusing on that very subject.     Impressionism and the Sea  at the Musée des impressionnismes in Giverny sets the scene as you enter, with the cries of screeching seagulls and the sound of waves lapping on the beach. The curators bring you Claude Monet, Paul Gauguin, Camille Pissarro and other names you'll be expecting, but there are some lesser-known artists to conjure with too.  Partly, we assume, because there are so many other exhibitions about Impressionism going on this year, most of the pictures in Giverny have an unfamiliar feel. The stand-out Monet doesn't show the beach at Etretat , with its striking cliff formations, but the strand and cliffs at Les Petites Dalles, further east, beyond Fécamp.  Nevertheless, it's very evocative,

Truth is often stranger than fiction, isn't it? Head to the newly opened venue of Charleston in Lewes for  Dorothy Hepworth and Patricia Preece: An Untold Story , an exhibition that relates a piece of art history that, you have to say, would make a good film.  And here are the two principal characters: Dorothy, on the left, a talented graduate of the Slade School of Fine Art , and her fellow student, friend, lover, partner and collaborator Patricia, perhaps not quite so talented, but both passionate about art.  The photograph seems to tell you a lot. Dorothy looks a little bit awkward and ill at ease, slightly frumpy, androgynous even. Patricia appears confident, glamorous, exuberant, perhaps a little.... possessive? But maybe we're getting ahead of ourselves. We need to establish the plot....   The rather retiring Hepworth and the outgoing, gregarious Preece became inseparable as students, and they planned to set up a studio together after graduation. In 1922, Preece took exam

It might be the anniversary year of the French Impressionists , but Tate Modern on London's South Bank has a different agenda, starting on April 25; they're taking a step on in time to explore the world of the avant-garde German  Expressionists: Kandinsky, Münter and the Blue Rider . The Tate has brought together more than 130 works from the likes of Wassily Kandinsky, Marianne von Werefkin, Franz Marc and Gabriele Münter, drawing to a large extent on the holdings of the Lenbachhaus in Munich. The show is on until October 20.  At the National Gallery, a free display from April 18 offers the chance to see The Last Caravaggio . The dramatically lit  Martyrdom of St Ursula  was painted in Naples in 1610, the year Caravaggio died in mysterious circumstances. Coming to London for the first time in 20 years, it'll be on show until July 21.  The Wallace Collection explores the life and times of Ranjit Singh (1780-1839), the first Maharaja of the Sikh Empire in Punjab, in an exhib