"Silence is golden," according to the proverb, but the stillness in the paintings of Vilhelm Hammershøi is distinctly white, charcoal, and every shade of grey in between. However, there's nothing dull about the Dane's restricted palette, as we were able to appreciate, not for the first time, in Hammershøi: The Eye that Listens at the Museo Nacional Thyssen-Bornemisza in Madrid. His subject matter -- so often sparsely decorated rooms in which the doors, windows and light sources become focal points -- is mesmerising. This picture -- Sunbeams or Sunlight. Dust Motes Dancing in the Sunbeams. Strandgade 30 -- is so very typical. Apparently empty, lacking any subject matter -- just one wall of a room with a door, panelling and a window. Yet you are captivated by the illumination, and the space. Look how Hammershøi has depicted the light coming in through the window and on the frames round the panes. See how it casts a shadow on the jambs and follow th...
Edinburgh takes centre-stage in July, with the start of two big exhibitions. Rembrandt: Britain's Discovery of the Master runs at the Scottish National Gallery from July 7 to October 14 and aims to show how the taste for Rembrandt's work has evolved over four centuries. It features major paintings by Rembrandt in British collections as well as some that used to be in the UK but are now overseas. There'll also be work by British artists influenced by Rembrandt, including Hogarth, Reynolds, Kossoff and Auerbach. A week later, on July 14, Emil Nolde: Colour Is Life opens at the Scottish National Gallery of Modern Art. Running until October 21, this show comprises about 100 works, including 40 paintings from the Nolde Foundation in Seebüll on Germany's border with Denmark. Nolde's vibrant Expressionism led to his art being labelled as degenerate by the Nazis, yet he was also a supporter of National Socialism. It's worth noting that when this exhibition was on ...