The Art Exhibitions Blog

It takes a split second these days to create an image, and how many millions are recorded daily on mobile phones, possibly never to be looked at again? You can see it all happening in the palatial surroundings of the Kunsthistorisches Museum in Vienna, definitely one of those tick-off destinations on many travellers' bucket lists, where those in search of instant pictorial satisfaction throng the imposing statue-lined staircase for a selfie or pout for a photo in the café under the spectacular cupola. But we're not in Vienna for a quick fix, we're at the KHM to admire something more enduring in the shape of art produced almost 500 years ago by Rembrandt and his pupil Samuel van Hoogstraten that was intended to mislead your eyes into seeing the real in the unreal. Artistic deception is the story at the centre of  Rembrandt--Hoogstraten: Colour and Illusion , one of the most engrossing and best-staged exhibitions we've seen this year. And, somewhat surprisingly, a show wi...

Let's start the New Year in Edinburgh, with two of the biggest names in Pop Art.  Eduardo Paolozzi, perhaps the pioneer of the genre with his collages from the late 1940s, was born in the Scottish capital a century ago, and you can see a retrospective of his varied work from January 27 in National Galleries Scotland's Modern Two building. Paolozzi at 100 is on until April 21.  Meanwhile, in Edinburgh's Old Town, Dovecot Studios will be presenting an exhibition of Andy Warhol's colourful commercial textile designs, dating back to the 1950s, before he found fame in New York. Andy Warhol: The Textiles is on from January 26 to May 18, when it might just be warm enough for you to enjoy an ice-cream sundae, if your tastebuds have been tickled by Warhol's fabric.  Rembrandt's earliest known works from the time when he was starting out as a painter in Leiden are pictures depicting four of the senses, and they're brought together at the city's Lakenhal museum f...

Come out of  Turning Heads at the Royal Museum of Fine Arts in Antwerp and you'll start looking at the people of Belgium's second city in an entirely different way. You'll encounter living examples of the faces you have just seen on wood or canvas in the exhibition galleries, painted four or five hundred years ago by Peter Bruegel the Elder , Peter Paul Rubens and Jacob Jordaens. And realise that they're not that different.... This is such a fun show at Antwerp's newly renovated main art gallery, and an enlightening one. Alongside the great Flemish masters, there are pictures by the stars of the Dutch Golden Age -- Rembrandt , Hals and Vermeer -- and a lot more, exploring a genre that plays a big role in the painting of the Low Countries: the study of heads, both as preliminary sketches for spectacular group pictures and then as works of art in their own right.  Such paintings are known in Dutch as  tronies  -- portraits that aren't really portraits but chara...

Frans Hals is one of the three greatest artists of the Dutch Golden Age, along with Rembrandt and Vermeer, and if you go along to  Frans Hals  at the National Gallery in London, you'll understand why, hopefully. He was a master portraitist, who appears to have been able to apply paint to canvas almost without effort and to dazzling effect. That loose brushwork was a huge influence on artists in late 19th-century France. There are about 50 paintings in this exhibition, the first Hals retrospective for several decades, and they're mostly terrific.  And yet.... we found this show oddly underwhelming, surprisingly flat. The pictures are glorious, but the presentation seemed curiously contextless. Nowhere do you get a feel for the society in Holland and Hals's home city of Haarlem that allowed this upsurge in artistic creativity at the start of the 17th century, the bourgeoning capitalism, expanding middle class and economic growth that permitted all these men in up-to-the-min...

Jacobus Vrel: the mystery man of Dutch Golden-Age painting. We don't know where he came from, where he lived and worked, or anything of note about him at all. His cryptic interiors and detailed street scenes were attributed by galleries, dealers and art historians, sometimes clearly fraudulently, to other artists -- Pieter de Hooch or the much more famous JV, Johannes Vermeer.  We've been fascinated by Vrel since first coming across his work a decade ago. So we've been looking forward for quite a while to the first ever exhibition devoted to him:  Vrel, Forerunner of Vermeer  at the Mauritshuis in The Hague.  This is the Vrel painting that first piqued our interest when we saw it in a show about women in Dutch interiors at the Fitzwilliam Museum in Cambridge back in 2012. Simply because it's such an unusual subject. To a certain extent, Dutch genre paintings repeat themes over and over again; messengers arrive with letters; swooning ladies are treated by doctors; mu...

Perhaps you've seen the superb Johannes Vermeer exhibition at the Rijksmuseum or, more likely, you've been frustrated by failing to get tickets. Whichever it is, you know the pictures, but how much do you know about the painter himself and the world he lived in? You'll learn so much more if you head to the Museum Prinsenhof in his home city for their show Vermeer's Delft . It was a remarkably small world; Delft in the middle of the 17th century was a little town by our standards, with just over 20,000 inhabitants. But despite that, Delft was a hub for art and science in the remarkably sophisticated society of the Dutch Golden Age. This exhibition throws light on the life of Vermeer the man, who spent all his 43 years living either on Delft's main square, or just off it, and demonstrates the influences on Vermeer the painter through the artworks and objects that surrounded him.    There are no Vermeer paintings in this show, but you'll see works by other artists...