So the question to ask about the Michaelina Wautier exhibition at the Royal Academy in London must be: Is the hype about this recently rediscovered 17th-century woman painter justified? The answer: Yes, absolutely. She really does merit acknowledgement -- and not just because we recognise a woman working in a man's world. Her art shows she was extremely talented, producing superb canvases covering a diverse range of subject matter. What's more, she painted very large pictures featuring male nudes, such as Bacchus, despite her contemporaries thinking that was not the sort of thing a female artist could do. And her portraits are wonderfully lively and lifelike. This is Martino Martini, an Italian Jesuit missionary who travelled to China in the 1640s. It was painted in 1654, when Michaelina was around 40. Martini, who was staying at the Jesuit College in Brussels, is depicted wearing traditional Chinese silk court attire and a hat of fur and feathers. A rather substantial...
It's a motif that recurs in art down the centuries, going back to ancient times: a woman at a window. A new show at Dulwich Picture Gallery in south-east London builds an exhibition on the theme around its own Girl at a Window by Rembrandt with more than 40 works going right up to the present day, though don't expect Vermeer or Caspar David Friedrich . Reframed: The Woman in the Window runs from May 4 to September 4. We've seen Edvard Munch in Oslo at the old Munch Museum and the old National Gallery, but we've never been to the significant Munch collection at KODE in Bergen, collected during the painter's lifetime by the industrialist Rasmus Meyer. Eighteen works from the collection, dating from the 1880s and 1890s, will be on show at the Courtauld Gallery from May 27 to September 4 in Edvard Munch: Masterpieces from Bergen . Will this be as popular as the Van Gogh Self-Portraits show at the Courtauld, which finishes on May 8 but is completely sold out? A fre...