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Showing posts from April, 2022

The Fabric of Faith

We must confess that religious paintings are not our favourite subject, and we've tended to regard Spanish Catholic art as being, well, just a little too religious to cope with. So we approached the Francisco de  Zurbarán  exhibition at the National Gallery in London with a certain amount of trepidation. A degree of contrition is due.... Yes, there were monks, altarpieces and lots of saints, but we were blown away by Zurbarán's ability to depict textures and fabrics and to convey an intensity of feeling.  It's an absolutely excellent exhibition, full of truly beautiful paintings. Such religious art was intended to bring the faithful closer to God, to bridge the gap between Heaven and Earth, in an age when many could not read. Zurbarán was a master at it. Let's start with a saint: Just take a look at the fabrics, trimmings and gems in this picture. And the garments are even more striking when you are stood in front of this nearly life-size figure.  This is Casild...

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Opening and Closing in May

It's a motif that recurs in art down the centuries, going back to ancient times: a woman at a window. A new show at Dulwich Picture Gallery in south-east London builds an exhibition on the theme around its own Girl at a Window by Rembrandt with more than 40 works going right up to the present day, though don't expect Vermeer  or Caspar David Friedrich . Reframed: The Woman in the Window runs from May 4 to September 4.  We've seen Edvard Munch in Oslo at the old Munch Museum and the old National Gallery, but we've never been to the significant Munch collection at KODE in Bergen, collected during the painter's lifetime by the industrialist Rasmus Meyer. Eighteen works from the collection, dating from the 1880s and 1890s, will be on show at the Courtauld Gallery from May 27 to September 4 in Edvard Munch: Masterpieces from Bergen . Will this be as popular as the Van Gogh Self-Portraits show at the Courtauld, which finishes on May 8 but is completely sold out? A fre...

Glimmers from the Mists of Prehistory

There's stone, bone, bronze and, extraordinarily given that these objects are thousands of years old, a surprising amount of wood. But it's the gold that steals the show in  The World of Stonehenge at the British Museum in London.  Between 1900 and 1600 BC -- yes, almost 4000 years ago, and that's quite a concept to get your head round -- craftsmen were able to create this remarkable gold cape , which was uncovered by workmen in North Wales in 1833.  It's a stunning object in its own right, beautiful and mysterious. Imagine the sunlight glinting on it as the person who wore it -- and they must have been someone of great rank or status -- displayed it to.... whom? Worshippers, subjects? On some great day of celebration, presumably. On the other hand, the wearer would have been unable to move his or her upper arms....  Enormous skill and hard work went into its making, those patterns beaten out with only the most basic of tools. And consider the wealth it must have ta...