The James McNeill Whistler exhibition at Tate Britain is big, probably a bit too big, but it's packed with beautiful pictures and it's not in the least bit boring. That's not surprising as Whistler led a colourful life, never shying from controversy and confrontation -- notably pursuing a high-profile libel case against John Ruskin -- and he produced art that was groundbreaking, hugely influential and enormously atmospheric. Including, of course, probably one of the most recognisable paintings in art history, that of his mother in profile, dressed in black. It's in this show, and we'll be taking a look at it shortly. But we start in Whistler's studio, where the artist has painted himself at work, palette and brush in his hands, and looking out directly at us, the viewers. This is the first picture you see in the show, and we're told that for Whistler, the studio was a place for public performance, as well as making art. So here he is, making a statemen...
It's a motif that recurs in art down the centuries, going back to ancient times: a woman at a window. A new show at Dulwich Picture Gallery in south-east London builds an exhibition on the theme around its own Girl at a Window by Rembrandt with more than 40 works going right up to the present day, though don't expect Vermeer or Caspar David Friedrich . Reframed: The Woman in the Window runs from May 4 to September 4. We've seen Edvard Munch in Oslo at the old Munch Museum and the old National Gallery, but we've never been to the significant Munch collection at KODE in Bergen, collected during the painter's lifetime by the industrialist Rasmus Meyer. Eighteen works from the collection, dating from the 1880s and 1890s, will be on show at the Courtauld Gallery from May 27 to September 4 in Edvard Munch: Masterpieces from Bergen . Will this be as popular as the Van Gogh Self-Portraits show at the Courtauld, which finishes on May 8 but is completely sold out? A fre...