The Art Exhibitions Blog

Come out of  Turning Heads at the Royal Museum of Fine Arts in Antwerp and you'll start looking at the people of Belgium's second city in an entirely different way. You'll encounter living examples of the faces you have just seen on wood or canvas in the exhibition galleries, painted four or five hundred years ago by Peter Bruegel the Elder , Peter Paul Rubens and Jacob Jordaens. And realise that they're not that different.... This is such a fun show at Antwerp's newly renovated main art gallery, and an enlightening one. Alongside the great Flemish masters, there are pictures by the stars of the Dutch Golden Age -- Rembrandt , Hals and Vermeer -- and a lot more, exploring a genre that plays a big role in the painting of the Low Countries: the study of heads, both as preliminary sketches for spectacular group pictures and then as works of art in their own right.  Such paintings are known in Dutch as  tronies  -- portraits that aren't really portraits but chara...

Which exhibition are we most looking forward to this month? It has to be Frans Hals at the National Gallery in London, which starts on September 30. It's the first major retrospective of the great portraitist of the Dutch Golden Age in three decades, and it will assemble around 50 of his works, including a couple of his large-scale group portraits of militiamen from the Frans Hals Museum in Haarlem and the Rijksmuseum in Amsterdam. A must-see, particularly if you missed the fantastic show focusing on Hals's male portraits at the Wallace Collection a couple of years back. All that swaggering loose -- or even louche -- brushwork is on display at the National Gallery until January 21, before transferring to the Rijksmuseum in February and then the Gemäldegalerie in Berlin in July.  Hals was originally from Antwerp, and it was in the Flemish port city that his close contemporary Peter Paul Rubens spent much of his life and career. The new exhibition at Dulwich Picture Gallery i...

All human life is here -- and death too. The reaper is coming to get you. In Pieter Bruegel the Elder's Triumph of Death , there is no hope. From the king in the bottom left-hand corner, to the mother and child, the pilgrim, the soldiers, even the lovers on the bottom right: They're all doomed. A man dressed in red, his mouth agape, tries to draw his sword to fight back, but it looks to be stuck in its scabbard. Armies of skeletons are on the march. Resistance is useless. There's so much detail in Bruegel's apocalyptic vision in paint that you could spend a long time trying to take it all in. And there are a couple of dozen paintings on this scale in the Bruegel exhibition at the Kunsthistorisches Museum in Vienna, as well as intriguing drawings and engravings -- the first ever comprehensive show about the greatest Netherlandish painter of the 16th century, so give yourself a few hours; this is not a show to be rushed. The Triumph of Death has travelled from Madr...

October sees the start of a series of exhibitions that promise to be exceptional, bringing together works of art that may never again be viewable in the same place at the same time. Museums and galleries across Europe aren't stinting on the superlatives. Two of the greatest artists of the Italian Renaissance come together at London's National Gallery for a show its director describes as "unprecedented and probably unrepeatable". Andrea Mantegna and Giovanni Bellini were brothers-in-law, and Mantegna's compositional innovations and Bellini's natural landscapes play a pivotal role in art history. With pictures loaned from around Europe and beyond, it runs from October 1 to January 27. Mantegna inspired Edward  Burne-Jones ,   and Tate Britain is giving   the late Pre-Raphaelite  his first major retrospective in London for more than 40 years. Over 150 works aim to show how Burne-Jones developed into one of the leading European, and not just British, artists...

There's one image that dominates Charles II: Art & Power  at the Queen's Gallery in London, and it's the King himself. After years of Civil War and a puritanical decade of republican rule, the monarchy has been restored. And so here is Charles, channelling Henry VIII in sumptuous scarlet and with glittering new regalia: The portrait, painted by John Michael Wright in about 1676, 16 years after the Restoration, vividly demonstrates the style of the man who had to rebuild the monarchy, and the royal art collection accumulated by his father (the subject of a separate exhibition now at the Royal Academy) that had been sold off under the Commonwealth.  How Charles II did that is the story of this show, which starts with the final portrait of Charles I, painted a month before his execution in 1649.  As is often the case at the Queen's Gallery, there's a fair amount of exposition in the form of prints and archive material before you get to the more exciti...