The Art Exhibitions Blog

The revolution won't happen overnight, but it's coming. And it will take place in 1874, when the rebels who'll become known as the Impressionists hold their first exhibition in Paris.  To see how the Impressionists got there, and what they were rebelling against, we've come to Cologne, and the Wallraf-Richartz-Museum, for an utterly enjoyable exhibition about the art of the 1860s and 70s that found official approval from the French state and from the traditionalist critics -- and the art that didn't. The show is entitled  1863 Paris 1874: Revolution in Art -- From the Salon to Impressionism , and this is the striking image that greets you as you enter, a painting that we've never seen before (it belongs to the Spanish central bank ) but which seems to sum up the entire topic for you in one go.  The Catalan artist Pere Borrell del Caso actually created this trompe l'oeil in 1874, completely independently of the Impressionists. It wasn't originally called ...

Vincent van Gogh wasn't an easy man to get along with.  "Few could put up with him and his fanatic fierceness," recalled Anthon van Rappard, who became friends and started painting with him in 1880 in Brussels. "Our relations lasted five years, and if I hadn't stayed calm during his outbursts, they wouldn't have endured so long."  Van Gogh's Inner Circle , an exhibition at the Noordbrabants Museum in Den Bosch in the southern Netherlands, takes us through a history of Vincent's relationships -- blazing rows and simmering confrontations with his family and with fellow artists, as well as his deepest, most durable friendship with his younger brother Theo.  It's a fascinating topic, but a rather underwhelming show. There are a lot of letters in glass cases, which is perhaps not surprising in an exhibition about friendships and working partnerships. But ultimately, particularly when we get to the late blossoming of van Gogh's car...

There are an awful lot of new shows to talk about this month, particularly in London, and one that looks set to be a crowd-puller is Gauguin Portraits at the National Gallery. It's the first ever exhibition devoted to the portraits of Paul Gauguin and aims to demonstrate how he revolutionised the genre. There are more than 50 works, including high-profile loans from around Europe and North America, but ticket prices (£24 on the door at weekends) are £6 higher than for the recent Sorolla show and £2 up on last year's Monet blockbuster. October 7 to January 26. Dulwich Picture Gallery is marking the 350th anniversary of Rembrandt's death with Rembrandt's Light , an exhibition designed to showcase the artist's mastery of light and shadow and focusing on his middle period. It will have around 35 works, including some never seen in the UK before, and runs from October 4 to February 2. The recent show at the Foundling Museum showed just how much meaning William ...

The Swiss artist Félix Vallotton (1865-1925) is perhaps not very well known outside France and his homeland, but the Royal Academy in London is staging the first comprehensive exhibition in Britain, starting on June 30, of his quite varied work, which often conveys a sense of unease.  Félix Vallotton: Painter of Disquiet  brings together more than 80 pictures, the majority of them loans from Switzerland. Fans of the Nabis and the German New Objectivity movement will find much to admire. Until September 29. And, of course, it's that time of year again at the Royal Academy: The Summer Exhibition , with well over 1,000 new works on show, starts on June 10 and runs until August 12. At the British Library, Leonardo da Vinci: A Mind in Motion provides an opportunity to explore the science, artistry and inventions of three of Leonardo's notebooks in another exhibition to mark the 500th anniversary of his death. It brings together manuscripts owned by the library, the V&A...