No one before had ever painted horses like George Stubbs. Not only did they look incredibly lifelike, he seemed able to capture their individual character -- a talent that ensured he could command extremely high prices for his work from wealthy and influential patrons. There's now a rare chance to appreciate the only one of the painter's outstanding lifesize equine canvases still in private hands in a small free exhibition, Stubbs: Portrait of a Horse , in Room 1 at the National Gallery in London. This is Scrub, eight times a race winner, who like the gallery's Whistlejacket belonged to one of those rich patrons, the Marquess of Rockingham, and he commissioned both pictures in about 1762. Scrub, again like Whistlejacket, was depicted not just as a racehorse, under the control of a jockey or stable boy, but in a grand manner, intended to serve as the steed in an equine portrait of George III, who had recently come to the throne. Other specialist painters would be u...
Many of the big names in the history of American art are relatively little known in Europe, and so the idea of a show devoted to one of them at London's National Gallery is a tempting prospect. Winslow Homer: Force of Nature , from September 10 to January 8, features around 50 works, many focusing on man's relationship with nature and the elements. This introduction to the artist, who lived from 1836 to 1910, is organised together with the Metropolitan Museum in New York, whose own larger Homer show this summer had largely positive reviews. Can you name Lithuania's most famous artist? Thought not. We'll put you out of your misery: It's Mikalojus Konstantinas Čiurlionis (1875-1911). Dulwich Picture Gallery has a fine tradition of introducing you to art you never knew existed, and M.K. Čiurlionis: Between Worlds , running from September 21 to March 12, will feature more than 100 works that often have an ethereal, fantastical quality. Most will be on show in the...