Skip to main content

Posts

Showing posts with the label Giorgio de Chirico

Very Rich Hours in Chantilly

It is a once-in-a-lifetime experience: the chance to see one of the greatest -- and most fragile -- works of European art before your very eyes. The illustrated manuscript known as the  Très Riches Heures du Duc de Berry contains images that have shaped our view of the late Middle Ages, but it's normally kept under lock and key at the Château de Chantilly, north of Paris. It's only been exhibited twice in the past century. Now newly restored, the glowing pages of  Les Très Riches Heures du Duc de Berry are on show to the public for just a few months. "Approche, approche," the Duke of Berry's usher tells the visitors to the great man's table for the feast that will mark the start of the New Year. It's also your invitation to examine closely the illustration for January, one of the 12 months from the calendar in this Book of Hours -- a collection of prayers and other religious texts -- that form the centrepiece of this exhibition in Chantilly.  It's su...

Subscribe to updates

Surreally Real

There's so much Surrealist art in the sprawling  Surrealism  show at the Centre Pompidou in Paris that you're unable to take it all in. When you reel back out into the daylight of the tubular walkway on level 6, high above the square below, you'll struggle to recall everything you've seen. Like a half-remembered dream....  Yes, dreams, forests, monsters, alchemy, the occult, genesis, Alice in Wonderland, all those stimuli on which the Surrealists drew are examined in detail, in a show marking the 100th anniversary of the Surrealist Manifesto. It's overwhelming, an assault on the senses, right from the start. And it's crowded, even more so than the Caillebotte exhibition just across the Seine at the Musée d'Orsay, and that's saying something. We really can't pretend that we took in more than a fraction of the explanations as to why the Surrealists were moved to produce what they did, but what we do recollect are some astonishing works of art. Because...