The Art Exhibitions Blog

A very eclectic mix of shows this month, and we're starting with an exhibition that's not art at all, but of vital interest to everyone. The Science Museum is investigating the Future of Food , looking at new advances in growing, making, cooking and eating it. On from July 24 to January 4, it's free, though you need to book. Oh, and you get to see this 3,500-year-old sourdough loaf..... At the Lowry in Salford, they're offering a double bill of Quentin Blake and Me & Modern Life: The LS Lowry Collection . The show about Blake, who's written or illustrated more than 500 books, looks aimed at a family audience, while the Lowry exhibition includes borrowed works, marking the Salford arts centre's 25th anniversary. On from July 19 to January 4, and entry is again free, though you need to book a timeslot.  Another anniversary this year is the 250th of the birth of Jane Austen; among the exhibitions around the country is one in Winchester, the city where she died ...

The revolution won't happen overnight, but it's coming. And it will take place in 1874, when the rebels who'll become known as the Impressionists hold their first exhibition in Paris.  To see how the Impressionists got there, and what they were rebelling against, we've come to Cologne, and the Wallraf-Richartz-Museum, for an utterly enjoyable exhibition about the art of the 1860s and 70s that found official approval from the French state and from the traditionalist critics -- and the art that didn't. The show is entitled  1863 Paris 1874: Revolution in Art -- From the Salon to Impressionism , and this is the striking image that greets you as you enter, a painting that we've never seen before (it belongs to the Spanish central bank ) but which seems to sum up the entire topic for you in one go.  The Catalan artist Pere Borrell del Caso actually created this trompe l'oeil in 1874, completely independently of the Impressionists. It wasn't originally called ...

Winter is approaching in the French village of Giverny, the home of Claude Monet, and so the flowers are dying back in his glorious gardens, even those famous waterlilies in the lake that were such an inspiration for his paintings. But just down the road, at the Musée des impressionnismes, summer lives on, and the blooms are vibrant, celebrating the power of flowers in art. We called in to the museum just before Monet's Garden closed for the season, possibly the only people among the many hundreds of visitors in the village that day who'd gone to Giverny specifically to see the exhibition called Flower Power . We weren't disappointed; the curators have put together an opulent bouquet of painting, sculpture, photography and design.  The Musée des impressionnismes is, we suspect, a bit of an irrelevance to the great mass of tourists in Giverny determined to tick the footbridge over Monet's lily pond off their selfie photo list. But for the more discerning art-lover like y...

The pace at which art developed at the end of the 19th and start of the 20th century was astonishing.  After Impressionism: Inventing Modern Art at the National Gallery in London provides a crash course in the new paths painters and sculptors across Europe were taking over the three decades from the final Impressionist exhibition in Paris in 1886 to the start of World War I. It's an absolutely absorbing, hugely enjoyable show. Much of what was new and shocking then is now very familiar, but this exhibition also manages to surprise at times; we certainly saw quite a bit of work we hadn't seen before.  If there was a father of modern art, it was perhaps Paul Cezanne. His Bathers (Les Grandes Baigneuses)  confronts you as you enter the show, its monumental figures flanked by an equally monumental plaster cast by Auguste Rodin for his Monument to Balzac , the great French novelist. But to appreciate just how different Cezanne was from what went before, look at this portrait ...

There are a tremendous number of exhibitions opening this month, starting in London with Paul Cezanne at Tate Modern. Cezanne's painting revolutionised art at the end of the 19th century, and the Tate is promising us a "once-in-a-generation" show, the first big retrospective in the UK for more than 25 years, with around 80 works, more than 20 of them never before seen in Britain. They include The Basket of Apples from the Chicago Institute of Art, where the previous version of this show earned rave reviews. Cezanne is on in London from October 5 to March 12.  It's certainly not once in a generation for an exhibition about Lucian Freud, but it is the 100th anniversary of his birth this year, and his seven-decade career is surveyed at the National Gallery. Lucian Freud: New Perspectives will have more than 60 paintings, from early, intimate works to his late monumental fleshy nudes. It runs from October 1 to January 22, before heading to the Thyssen-Bornemisza muse...

We're on the cusp of 2022, but the New Year has a 2021 ring to it as some galleries play catch-up, putting on Covid-cancelled exhibitions that we had already highlighted as this year's ones to look forward to. And a couple of shows mentioned below were also on the schedule for 2020. This round-up of some of what's caught our eye among the displays planned by museums and galleries around Europe for the next 12 months may not be definitive, but it is in chronological order as we publish. Watch out for our monthly What's On for precise dates nearer the time. Here goes, with fingers crossed now that museums in various countries are closed again....   February The Courtauld Gallery in London has just reopened after renovation, and its first big exhibition since then starts on February 3: Van Gogh Self-Portraits . It will bring together more than 15 pictures, around half of Vincent van Gogh's total output of self-portraits across his career, and is the first devoted to hi...

It was by accident, not design, that we found ourselves viewing the art collection of a German-turned-Swiss arms manufacturer. On our recent trip to Paris, we were on our way to see the excellent show about the Nabis at the Musée du Luxembourg when we walked past the Musée Maillol, which was showing a loan exhibition from the Emil Bührle Collection in Zurich, with Monet, Manet, van Gogh and more. That looks interesting, we thought, let's pop in and see it on the way back. So we did, and it turned out to be very enjoyable. But back to the paintings in a minute. Because, as debate rages over the funding of art and museums, with the Sackler family now under attack for their pharmaceuticals company's role in the opioids drug-abuse crisis sweeping America, it's impossible not to acknowledge a certain degree of queasiness about the way this collection, one of the most prestigious in private hands in Europe, was built up. Emil Georg Bührle was a controversial figure who di...