It is a once-in-a-lifetime experience: the chance to see one of the greatest -- and most fragile -- works of European art before your very eyes. The illustrated manuscript known as the Très Riches Heures du Duc de Berry contains images that have shaped our view of the late Middle Ages, but it's normally kept under lock and key at the Château de Chantilly, north of Paris. It's only been exhibited twice in the past century. Now newly restored, the glowing pages of Les Très Riches Heures du Duc de Berry are on show to the public for just a few months. "Approche, approche," the Duke of Berry's usher tells the visitors to the great man's table for the feast that will mark the start of the New Year. It's also your invitation to examine closely the illustration for January, one of the 12 months from the calendar in this Book of Hours -- a collection of prayers and other religious texts -- that form the centrepiece of this exhibition in Chantilly. It's su...
What seems to be the hottest exhibition ticket in the Netherlands at the moment? Rembrandt, Van Gogh? No, it's Design of the Third Reich at the Design Museum in Den Bosch. Surprised? Don't be. It's superbly done, well explained and really engrossing. The Nazis didn't achieve power in Germany without making themselves and their message attractive to millions of people, and the design of their emblems, electoral posters, the very styling of Adolf Hitler contributed to that. And those efforts didn't stop once they'd taken over. This show doesn't make any attempt to downplay the evils of Nazism, the horrors of the concentration camps and of World War II -- this is, after all, the 75th anniversary of the liberation of parts of the southern Netherlands, including Den Bosch, from German occupation -- but the aim is to try and understand the role design played in it all -- even if that role wasn't always a very coherent one. The decision to stage thi...