It is a once-in-a-lifetime experience: the chance to see one of the greatest -- and most fragile -- works of European art before your very eyes. The illustrated manuscript known as the Très Riches Heures du Duc de Berry contains images that have shaped our view of the late Middle Ages, but it's normally kept under lock and key at the Château de Chantilly, north of Paris. It's only been exhibited twice in the past century. Now newly restored, the glowing pages of Les Très Riches Heures du Duc de Berry are on show to the public for just a few months. "Approche, approche," the Duke of Berry's usher tells the visitors to the great man's table for the feast that will mark the start of the New Year. It's also your invitation to examine closely the illustration for January, one of the 12 months from the calendar in this Book of Hours -- a collection of prayers and other religious texts -- that form the centrepiece of this exhibition in Chantilly. It's su...
LS Lowry's best-known pictures of grim northern townscapes and huddled masses of stick-like figures rushing from the mill or to the football ground make it hard to credit that he was a Pre-Raphaelite at heart. And yet Dante Gabriel Rossetti and Ford Madox Brown were Lowry's two favourite artists. Images of the Pre-Raphs' muses adorned the walls of his bedroom in his suburban home in Mottram on the outskirts of Manchester. He was president of the Rossetti Society. "I said to my father: 'I wish you'd buy me a Rossetti painting.' Now I've got about 12,'' Lowry said late in life. "I'm a Victorian all right, you know." Lowry and the Pre-Raphaelites , a free show at the Lowry in Salford, makes a stab at shedding more light on why these pictures meant so much to an artist whose own work was so very different. For us, it doesn't really succeed. Lowry was a very private man, and though we get to hear and read some of his own words...