The James McNeill Whistler exhibition at Tate Britain is big, probably a bit too big, but it's packed with beautiful pictures and it's not in the least bit boring. That's not surprising as Whistler led a colourful life, never shying from controversy and confrontation -- notably pursuing a high-profile libel case against John Ruskin -- and he produced art that was groundbreaking, hugely influential and enormously atmospheric. Including, of course, probably one of the most recognisable paintings in art history, that of his mother in profile, dressed in black. It's in this show, and we'll be taking a look at it shortly. But we start in Whistler's studio, where the artist has painted himself at work, palette and brush in his hands, and looking out directly at us, the viewers. This is the first picture you see in the show, and we're told that for Whistler, the studio was a place for public performance, as well as making art. So here he is, making a statemen...
We're starting in London this month with a double helping of Renaissance Italy: From November 9, the Royal Academy has Michelangelo, Leonardo, Raphael: Florence, c. 1504 , when the three briefly crossed paths in the Tuscan city. While sculpture and painting feature in this display of more than 40 works, the emphasis appears to be very much on creations on paper, as it is in Drawing the Italian Renaissance at the King's Gallery, which opens on November 1. This show, which also includes Titian, promises the widest range of drawings dating from around 1450 to 1600 ever to be displayed in the UK, with about 160 by more than 80 artists. The RA exhibition closes February 16, that in the King's Gallery on March 9. As the Renaissance in southern Europe was coming to an end, a new Golden Age was starting in India, that of the Mughal Emperors. The Great Mughals: Art, Architecture and Opulence at the Victoria and Albert Museum will display paintings, jewellery, clothing and more ...