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Showing posts with the label Thomas Gainsborough

Very Rich Hours in Chantilly

It is a once-in-a-lifetime experience: the chance to see one of the greatest -- and most fragile -- works of European art before your very eyes. The illustrated manuscript known as the  Très Riches Heures du Duc de Berry contains images that have shaped our view of the late Middle Ages, but it's normally kept under lock and key at the Château de Chantilly, north of Paris. It's only been exhibited twice in the past century. Now newly restored, the glowing pages of  Les Très Riches Heures du Duc de Berry are on show to the public for just a few months. "Approche, approche," the Duke of Berry's usher tells the visitors to the great man's table for the feast that will mark the start of the New Year. It's also your invitation to examine closely the illustration for January, one of the 12 months from the calendar in this Book of Hours -- a collection of prayers and other religious texts -- that form the centrepiece of this exhibition in Chantilly.  It's su...

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Opening and Closing in May

Which Japanese artist had the greatest influence on the West at the end of the 19th century? Perhaps not so much Katsushika Hokusai , despite The Great Wave ; maybe more Utagawa Hiroshige, four decades younger and the last great exponent of the ukiyo-e tradition, with his stunningly framed landscapes. From May 1, you have the chance at the British Museum in London to experience Horoshige's world, which ended just as Japan started to open up to the outside. Featuring a large body of work from a major US collection,  Hiroshige: Artist of the Open Road  is on until September 7. And also at the British Museum, a second new exhibition explores the origins of Hindu, Jain and Buddhist sacred art, going back at least 2,000 years. More than 180 objects from the museum's collection as well as items on loan will be on display.  Ancient India: Living Traditions  runs from May 22 to October 19.  If you enjoyed the colour and swagger of the John Singer Sargent show at Tate ...

Something Borrowed, Something Blue

It was once the most expensive painting in the world, and when it was sold 100 years ago, 90,000 people came to see it over three weeks at the National Gallery in London before it set sail for California and the collection of the railroad and real-estate magnate Henry E. Huntington.  "We have been to say good-bye to a boy who is leaving England, in a day or two, forever," The Times wrote in January 1922. "He received us dressed in a beautiful blue satin suit." The gallery's then director wrote "au revoir" on the back of the painting.  Now, Thomas  Gainsborough's Blue Boy  is back at the National Gallery for a special centenary guest appearance, a chance to see what all the fuss was about and why Huntington paid the astronomical sum of $728,000 (£182,000) for it. All the hype surrounding the sale even inspired Cole Porter to write a song about it --  The Blue Boy Blues : "a silver dollar took me and my collar to show the slow cowboys just how b...

Opening and Closing in January

The highest-profile opening in London this January? It might well be Francis Bacon: Man and Beast at the Royal Academy. Starting on January 29, this exhibition will focus on Bacon's fascination with animals, featuring pictures in which the boundaries between humans and animals are constantly blurred. Spanning his entire career, the show will include a trio of bullfight paintings never before exhibited together. If your New Year's resolution is to go vegetarian, this one may be a bit on the fleshy side. Until April 17.  For something perhaps a bit less unsettling, head to Room 1 at the National Gallery to see Gainsborough's Blue Boy . Thomas Gainsborough's full-length canvas of a child was exhibited at the National for three weeks in 1922 before sailing across the Atlantic to the Huntington Library in California. It's a painting that's long had a hold on the imagination; it's been frequently referenced in Hollywood movies, and now it's being loaned out b...

Gainsborough: Portraits by a Doting Father

Thomas Gainsborough painted more portraits of his family than any other British artist before him, at least as far as we know. Some of the 50 or so pictures in Gainsborough's Family Album , now on show at the National Portrait Gallery in London, are small in scale and dashed off with an economical use of paint, because a busy artist didn't want to use up too much time, energy or materials on a job to please the in-laws. Others are more polished, to show off his skills to a demanding clientele.  Gainsborough, one of the great names of the 18th-century golden age of British painting, really preferred landscapes, but as far as portraits are concerned he seems to have saved his best, his most endearing work for his favourite sitters, his daughters Mary and Margaret.  Here they are, pictured in 1756, when Mary would have been about six and Margaret a year younger. The elder girl restrains her sister to stop her pricking her finger as she reaches towards a butterfly per...

Opening in March

The blockbuster is Picasso 1932: Love, Fame, Tragedy at Tate Modern, which runs from March 8 to September 9. It's the first ever solo Picasso show there, and the Tate is calling it one of the most significant it's ever staged. More than 100 works will take the visitor on a month-by-month journey through a pivotal year in Picasso's life. When it was on at the Musee Picasso in Paris, this exhibition was called 1932: Année Erotique , but you can imagine the Tate might have had trouble with that for its posters on the Tube... Be warned, this show appears to set a new standard for London ticket prices at £22 (they cost half that -- 12.50 euros -- in Paris). The National Portrait Gallery offers Victorian Giants: the Birth of Art Photography   from March 1 to May 20, featuring pictures by Lewis Carroll and Julia Margaret Cameron. There's more camerawork at the National Maritime Museum in Greenwich in The Great British Seaside , including new material by Martin Parr. Ta...