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Very Rich Hours in Chantilly

It is a once-in-a-lifetime experience: the chance to see one of the greatest -- and most fragile -- works of European art before your very eyes. The illustrated manuscript known as the  Très Riches Heures du Duc de Berry contains images that have shaped our view of the late Middle Ages, but it's normally kept under lock and key at the Château de Chantilly, north of Paris. It's only been exhibited twice in the past century. Now newly restored, the glowing pages of  Les Très Riches Heures du Duc de Berry are on show to the public for just a few months. "Approche, approche," the Duke of Berry's usher tells the visitors to the great man's table for the feast that will mark the start of the New Year. It's also your invitation to examine closely the illustration for January, one of the 12 months from the calendar in this Book of Hours -- a collection of prayers and other religious texts -- that form the centrepiece of this exhibition in Chantilly.  It's su...

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Leonardo Draws the Crowds Across the UK

The exhibitions of Leonardo da Vinci drawings from the Royal Collection at 12 galleries around the UK are drawing such crowds that they are set to break attendance records. The show marking the 500th anniversary of Leonardo's death at the Millennium Gallery in Sheffield has produced a "fantastic response", Museums Sheffield said this week. "In the first 19 days since we opened we’ve welcomed over 25,000 visitors through the doors, which sets it on track to become the Millennium Gallery’s most popular exhibition ever." Glasgow's Kelvingrove Art Gallery reported the highest daily attendance figures of the eight museums that responded to our inquiries. It saw 18,408 visitors in the first 12 days after the displays opened simultaneously around the country on February 1. Liverpool's Walker Art Gallery  also reported more than 1,150 visitors a day, with a cumulative total of 19,603 by February 17. The Ulster Museum in Belfast reported 16,576 visitor...

Big Mac at 150: Glasgow Celebrates in Style

Even before the devastating second fire in Charles Rennie Mackintosh's Glasgow School of Art this summer, the city was making a big deal of its favourite son and perhaps its biggest tourist draw. The excellent show on Charles Rennie Mackintosh Making the Glasgow Style  at Kelvingrove Art Gallery was attracting lots of visitors from home and abroad -- the art-school blaze made international headlines -- when we saw it last week. And there's still a few weeks left to catch this exhibition, which provides an extremely detailed and fascinating overview, with about 250 artefacts, of the influences on the man and his circle, how he came to prominence, and the later years of decline. The reason for the show is to celebrate the 150th anniversary of Mackintosh's birth . He grew up in a Glasgow that was undergoing massive expansion economically and that was increasingly open to the world. As Mackintosh trained as a draughtsman and later studied at the School of Art, Japanese, ...