Skip to main content

Posts

Showing posts with the label Design

Tales of the Unexpected in Southampton

There are some familiar names and familiar paintings in  Art Then! British Painting, Sculpture and Drawing, 1910-1960 at Southampton City Art Gallery, but it's the unfamiliar that makes it especially worth the trip to a venue you might not normally consider for an exhibition. This show provides an excellent overview of art trends in this country in the first half of the 20th century. And it's free!  Southampton has a very good collection, but we often get the feeling that a lot of interesting works are in store behind closed doors. Pleasant surprises await when they finally see the light of the day, in this case in combination with a selection from the extensive Ingram Collection of modern British art. In all, there are more than 100 works by over 100 artists, demonstrating how the British reacted to the latest developments in art on the Continent. So let's start with a couple of hidden gems from the Southampton treasure trove, first of all a Landscape that really stoppe...

Subscribe to updates

Opening and Closing in February

The big new show in London this month is Donatello: Sculpting the Renaissance at the Victoria & Albert Museum, starting on February 11. Donatello created a revolution in sculpture in 15th-century Florence, and this show, with some 130 objects, includes much work that has never been seen in the UK before. It's the last in a series of interlinked exhibitions following shows in Florence and Berlin that were highly praised. On until June 11.  The Ashmolean Museum in Oxford takes us to ancient Crete beginning on February 10 for Labyrinth: Knossos, Myth & Reality . The palace of Knossos was the centre of the Bronze Age Minoan civilization, and legend had it that an enormous labyrinth was built there to hold the Minotaur, a creature half-man, half-bull. This exhibition includes more than 100 objects that have never left Greece before as well as two immersive experiences. It runs until July 30. Curiously, the new show at the Fitzwilliam Museum in Cambridge is also about the a...

Ceci n'est pas un cocktail trolley

Surrealism: It can be so full of wit and invention, so thought-provoking. At its worst, though, it can be mind-numbingly dull and repetitive. Exhibitions about Surrealism seem to oscillate between the two extremes as well. Having been to quite a few, we're delighted to say that  Objects of Desire: Surrealism and Design 1924-Today at the Design Museum in London is one of the best. This is a big and wide-ranging show, and we happily spent more than two hours seeing some objects that were very familiar, and some that weren't. We laughed out loud quite a bit. Think of Surrealist objects, and the chances are that Salvador Dalí's Lobster Telephone and Mae West Lips Sofa will come to mind, and of course they are here, right at the start of the exhibition, as eye-catching and intriguing as ever.   What a bizarre yet beautiful piece of furniture the sofa is. Dalí created it at the suggestion of his friend and patron, Edward James, for his Monkton House residence on the West Dean...

Opening and Closing in October

There are a tremendous number of exhibitions opening this month, starting in London with Paul Cezanne at Tate Modern. Cezanne's painting revolutionised art at the end of the 19th century, and the Tate is promising us a "once-in-a-generation" show, the first big retrospective in the UK for more than 25 years, with around 80 works, more than 20 of them never before seen in Britain. They include The Basket of Apples from the Chicago Institute of Art, where the previous version of this show earned rave reviews. Cezanne is on in London from October 5 to March 12.  It's certainly not once in a generation for an exhibition about Lucian Freud, but it is the 100th anniversary of his birth this year, and his seven-decade career is surveyed at the National Gallery. Lucian Freud: New Perspectives will have more than 60 paintings, from early, intimate works to his late monumental fleshy nudes. It runs from October 1 to January 22, before heading to the Thyssen-Bornemisza muse...

Vorsprung durch Technik

Football: shared memories of great players, the not-so-great players who fouled them, World Cups, triumphs, near-misses and disasters; more personal recollections of muddy school pitches, away trips to grounds in the back of beyond, pools wins and Subbuteo.    Football: Designing the Beautiful Game at the Design Museum in London brings it all flooding back. No dry display, this, as you might fear, of how the equipment and stadiums of the world's most popular sport have been optimised and marketed down the years; it's a show that pulls you in and holds your interest through the full 90 minutes and into extra time. Top-level soccer these days is such a slick, modern entertainment product, you can easily forget the way it used to be. The curators take you right back to the game's Victorian beginnings: A  Harrow School ball  looks more like a pouffe -- it's easier to imagine sitting on it than kicking it or heading it -- while the heavy leather boots  of the type w...

Hitler's Designs on Power

What seems to be the hottest exhibition ticket in the Netherlands at the moment? Rembrandt, Van Gogh? No, it's Design of the Third Reich  at the Design Museum in Den Bosch. Surprised? Don't be. It's superbly done, well explained and really engrossing.  The Nazis didn't achieve power in Germany without making themselves and their message attractive to millions of people, and the design of their emblems, electoral posters, the very styling of Adolf Hitler contributed to that. And those efforts didn't stop once they'd taken over. This show doesn't make any attempt to downplay the evils of Nazism, the horrors of the concentration camps and of World War II -- this is, after all, the 75th anniversary of the liberation of parts of the southern Netherlands, including Den Bosch, from German occupation -- but the aim is to try and understand the role design played in it all -- even if that role wasn't always a very coherent one.  The decision to stage thi...