So the question to ask about the Michaelina Wautier exhibition at the Royal Academy in London must be: Is the hype about this recently rediscovered 17th-century woman painter justified? The answer: Yes, absolutely. She really does merit acknowledgement -- and not just because we recognise a woman working in a man's world. Her art shows she was extremely talented, producing superb canvases covering a diverse range of subject matter. What's more, she painted very large pictures featuring male nudes, such as Bacchus, despite her contemporaries thinking that was not the sort of thing a female artist could do. And her portraits are wonderfully lively and lifelike. This is Martino Martini, an Italian Jesuit missionary who travelled to China in the 1640s. It was painted in 1654, when Michaelina was around 40. Martini, who was staying at the Jesuit College in Brussels, is depicted wearing traditional Chinese silk court attire and a hat of fur and feathers. A rather substantial...
Some of Britain's most prestigious museums and art galleries will be open again within weeks, although the visitor experience looks set to be very different. In London, the National Gallery and the Tate have just announced their plans, and it's the National Gallery that will be back in action first, on July 8. There will be timed tickets, limited visitor numbers, initially shorter opening hours, specific routes through the galleries, more efficient air-conditioning, and they'd like you to wear a face covering. Titian: Love, Desire, Death , the show of the reunited Titian series depicting classical myths that was open for just three days before lockdown, is now back on, extended until January 17. And continuing until September 20 is the free show about Rembrandt's pupil Nicolaes Maes , the painter whose most memorable contribution to the Dutch Golden Age is the witty sub-genre depicting mistresses eavesdropping on their servants. We saw it last year in The Hague. ...