It is a once-in-a-lifetime experience: the chance to see one of the greatest -- and most fragile -- works of European art before your very eyes. The illustrated manuscript known as the Très Riches Heures du Duc de Berry contains images that have shaped our view of the late Middle Ages, but it's normally kept under lock and key at the Château de Chantilly, north of Paris. It's only been exhibited twice in the past century. Now newly restored, the glowing pages of Les Très Riches Heures du Duc de Berry are on show to the public for just a few months. "Approche, approche," the Duke of Berry's usher tells the visitors to the great man's table for the feast that will mark the start of the New Year. It's also your invitation to examine closely the illustration for January, one of the 12 months from the calendar in this Book of Hours -- a collection of prayers and other religious texts -- that form the centrepiece of this exhibition in Chantilly. It's su...
Do you sometimes find it's not so much the art itself as the stories behind it that make for a really enjoyable exhibition? It's certainly the case at Towner Eastbourne in A Life in Art: Lucy Wertheim, Patron, Collector, Gallerist and Reuniting the Twenties Group: From Barbara Hepworth to Victor Pasmore ; these two linked shows take us well beyond the paintings and sculpture to uncover fascinating personal histories and to shine a light on the mid 20th-century art scene in Britain. And, unless you're an absolute expert in the art of the period, you'll discover many talented artists who are very unfamiliar names. Who was Lucy Wertheim? Without formal art training but with a fair amount of money, she broke into the male-dominated British art scene and was a patron to many young artists, establishing her own gallery in London in 1930. She set up the Twenties Group -- artists in their 20s, as the name suggests -- whose work she tried to exhibit round the country, wit...