There are some familiar names and familiar paintings in Art Then! British Painting, Sculpture and Drawing, 1910-1960 at Southampton City Art Gallery, but it's the unfamiliar that makes it especially worth the trip to a venue you might not normally consider for an exhibition. This show provides an excellent overview of art trends in this country in the first half of the 20th century. And it's free! Southampton has a very good collection, but we often get the feeling that a lot of interesting works are in store behind closed doors. Pleasant surprises await when they finally see the light of the day, in this case in combination with a selection from the extensive Ingram Collection of modern British art. In all, there are more than 100 works by over 100 artists, demonstrating how the British reacted to the latest developments in art on the Continent. So let's start with a couple of hidden gems from the Southampton treasure trove, first of all a Landscape that really stoppe...
Georges Seurat was on to something when he moved on from Impressionism to develop the radically different painting technique popularly known as Pointillism. He and his followers applied unmixed dots of pure colour to their canvases, separate little spots of paint that, the theory went, would come together in the eye of the viewer to create glowing, luminous pictures. Seurat died young, and Pointillism didn't really hang around for very long either. But it produced some gorgeous art, and 50 or so of its finest creations are gathered at the National Gallery in London in Radical Harmony: Helene Kröller-Müller's Neo-Impressionists . It's a glorious, light-filled, uplifting exhibition, and the most enjoyable show we've been to all year. "Art is harmony," Seurat said, and it's hard to argue with that in this show. These pictures are Helene Kröller-Müller's Neo-Impressionists, by the way, because more than half of them come from the Kröller-Müller Museum i...