The James McNeill Whistler exhibition at Tate Britain is big, probably a bit too big, but it's packed with beautiful pictures and it's not in the least bit boring. That's not surprising as Whistler led a colourful life, never shying from controversy and confrontation -- notably pursuing a high-profile libel case against John Ruskin -- and he produced art that was groundbreaking, hugely influential and enormously atmospheric. Including, of course, probably one of the most recognisable paintings in art history, that of his mother in profile, dressed in black. It's in this show, and we'll be taking a look at it shortly. But we start in Whistler's studio, where the artist has painted himself at work, palette and brush in his hands, and looking out directly at us, the viewers. This is the first picture you see in the show, and we're told that for Whistler, the studio was a place for public performance, as well as making art. So here he is, making a statemen...
The Pre-Raphaelites -- their lives, their loves and their art -- have a lasting attraction, and The Rossettis at Tate Britain has got the blockbuster feel to it, with 150 paintings and drawings. It is, surprisingly, the first ever retrospective of poet and painter Dante Gabriel at the Tate, and the biggest show of his work in two decades. It's also the largest show in 30 years of art by his wife and model Lizzie Siddal and will in addition cover the life of Romantic poet Christina Rossetti and Dante's relationships with his muses Fanny Cornforth and Jane Morris. An immersive experience is promised, including spoken poetry. It's on from April 6 to September 24. There'll be some beautiful art to look at, even if we can't escape the feeling we've trodden similar ground a couple of times recently, here and there . A very different experience will be on offer over at Tate Modern in the shape of Hilma af Klint & Piet Mondrian: Forms of Life . The Swede af Klint...