It is a once-in-a-lifetime experience: the chance to see one of the greatest -- and most fragile -- works of European art before your very eyes. The illustrated manuscript known as the Très Riches Heures du Duc de Berry contains images that have shaped our view of the late Middle Ages, but it's normally kept under lock and key at the Château de Chantilly, north of Paris. It's only been exhibited twice in the past century. Now newly restored, the glowing pages of Les Très Riches Heures du Duc de Berry are on show to the public for just a few months. "Approche, approche," the Duke of Berry's usher tells the visitors to the great man's table for the feast that will mark the start of the New Year. It's also your invitation to examine closely the illustration for January, one of the 12 months from the calendar in this Book of Hours -- a collection of prayers and other religious texts -- that form the centrepiece of this exhibition in Chantilly. It's su...
Think of Delft, and you think, inevitably, of one artist: Johannes Vermeer . But in the middle of the 17th century, Vermeer wasn't the only painter from this city in southern Holland set for a particular place in art history. Vermeer's enigmatic genre scenes are incomparable, but one of his fellow members of the Delft artists' guild was to produce some of the most characteristic pictures of the Dutch Golden Age: images of domesticity that almost sum up the period. His name was Pieter de Hooch, and this autumn and winter he's getting the attention he deserves in a show at the Museum Prinsenhof in Delft. We have to admit to a bias towards Golden Age painting, but Pieter de Hooch in Delft: From the Shadow of Vermeer is the best exhibition we've seen in 2019. It's not big, but it's beautifully put together and incredibly informative. And astonishingly, this is the first time de Hooch has ever had an exhibition devoted to him in the Netherlands. ...