No one before had ever painted horses like George Stubbs. Not only did they look incredibly lifelike, he seemed able to capture their individual character -- a talent that ensured he could command extremely high prices for his work from wealthy and influential patrons. There's now a rare chance to appreciate the only one of the painter's outstanding lifesize equine canvases still in private hands in a small free exhibition, Stubbs: Portrait of a Horse , in Room 1 at the National Gallery in London. This is Scrub, eight times a race winner, who like the gallery's Whistlejacket belonged to one of those rich patrons, the Marquess of Rockingham, and he commissioned both pictures in about 1762. Scrub, again like Whistlejacket, was depicted not just as a racehorse, under the control of a jockey or stable boy, but in a grand manner, intended to serve as the steed in an equine portrait of George III, who had recently come to the throne. Other specialist painters would be u...
A big theme to start us off this month at London's Royal Academy. Entangled Pasts, 1768-Now: Art, Colonialism and Change brings together more than 100 contemporary and historic artworks to examine empire and slavery. Joshua Reynolds, John Singleton Copley and JMW Turner on the one hand, Lubaina Himid, Yinka Shonibare and John Akomfrah on the other. It's on from February 3 to April 28. Also at the RA, in a free display from February 17, is Flaming June , Frederic Leighton's masterpiece, a sensuous artwork that's absolutely stunning when you see it in the flesh, as it were, even if you don't normally much like Victorian painting. Usually housed in a museum in Puerto Rico, it's on show alongside others by Leighton and his contemporaries and works that inspired him. No rush, it can be seen till January 12 next year. There'll be less classical drapery and a lot more contemporary modishness on display in Sargent and Fashion at Tate Britain from February 22. Jo...