So the question to ask about the Michaelina Wautier exhibition at the Royal Academy in London must be: Is the hype about this recently rediscovered 17th-century woman painter justified? The answer: Yes, absolutely. She really does merit acknowledgement -- and not just because we recognise a woman working in a man's world. Her art shows she was extremely talented, producing superb canvases covering a diverse range of subject matter. What's more, she painted very large pictures featuring male nudes, such as Bacchus, despite her contemporaries thinking that was not the sort of thing a female artist could do. And her portraits are wonderfully lively and lifelike. This is Martino Martini, an Italian Jesuit missionary who travelled to China in the 1640s. It was painted in 1654, when Michaelina was around 40. Martini, who was staying at the Jesuit College in Brussels, is depicted wearing traditional Chinese silk court attire and a hat of fur and feathers. A rather substantial...
Pan-European art superstar Angelica Kauffman comes to the Royal Academy in London on March 1. Feted in London, Venice and Rome in the late 18th century, and indeed a founding member of the RA, she was one of the few women to smash through the glass ceiling of the male-dominated art world. Known above all for her celebrity portraits, she also created history paintings with a female slant. Kauffman was originally due a retrospective at the RA in 2020 before Covid struck, and we saw that show at the Kunstpalast in Dusseldorf. Her story is a fascinating one though, to be frank, we found the history more intriguing than some of her art. You can see Kauffman at the RA until June 30. Two more women at Charleston in Lewes, but a very different tale. Dorothy Hepworth and Patricia Preece: An Untold Story from March 27 to September 8 relates how, over decades, the couple fooled the art world: The shy Hepworth created widely praised paintings that she signed not in he...