The James McNeill Whistler exhibition at Tate Britain is big, probably a bit too big, but it's packed with beautiful pictures and it's not in the least bit boring. That's not surprising as Whistler led a colourful life, never shying from controversy and confrontation -- notably pursuing a high-profile libel case against John Ruskin -- and he produced art that was groundbreaking, hugely influential and enormously atmospheric. Including, of course, probably one of the most recognisable paintings in art history, that of his mother in profile, dressed in black. It's in this show, and we'll be taking a look at it shortly. But we start in Whistler's studio, where the artist has painted himself at work, palette and brush in his hands, and looking out directly at us, the viewers. This is the first picture you see in the show, and we're told that for Whistler, the studio was a place for public performance, as well as making art. So here he is, making a statemen...
Pan-European art superstar Angelica Kauffman comes to the Royal Academy in London on March 1. Feted in London, Venice and Rome in the late 18th century, and indeed a founding member of the RA, she was one of the few women to smash through the glass ceiling of the male-dominated art world. Known above all for her celebrity portraits, she also created history paintings with a female slant. Kauffman was originally due a retrospective at the RA in 2020 before Covid struck, and we saw that show at the Kunstpalast in Dusseldorf. Her story is a fascinating one though, to be frank, we found the history more intriguing than some of her art. You can see Kauffman at the RA until June 30. Two more women at Charleston in Lewes, but a very different tale. Dorothy Hepworth and Patricia Preece: An Untold Story from March 27 to September 8 relates how, over decades, the couple fooled the art world: The shy Hepworth created widely praised paintings that she signed not in he...