It is a once-in-a-lifetime experience: the chance to see one of the greatest -- and most fragile -- works of European art before your very eyes. The illustrated manuscript known as the Très Riches Heures du Duc de Berry contains images that have shaped our view of the late Middle Ages, but it's normally kept under lock and key at the Château de Chantilly, north of Paris. It's only been exhibited twice in the past century. Now newly restored, the glowing pages of Les Très Riches Heures du Duc de Berry are on show to the public for just a few months. "Approche, approche," the Duke of Berry's usher tells the visitors to the great man's table for the feast that will mark the start of the New Year. It's also your invitation to examine closely the illustration for January, one of the 12 months from the calendar in this Book of Hours -- a collection of prayers and other religious texts -- that form the centrepiece of this exhibition in Chantilly. It's su...
If you were asked to name the influences on Vincent van Gogh, you'd undoubtedly mention Paul Gauguin, the Impressionists and Post-Impressionists, and Japanese woodcuts and prints. But the novels of Charles Dickens and the foggy streets of Victorian London? Get along to the Van Gogh and Britain exhibition at Tate Britain and you will indeed find that the three years Vincent spent in England from 1873 had a big impact on his taste in art and the style and subject matter of his paintings and drawings, though maybe not quite as much as the curators seem to want you to think. Van Gogh developed those writhing brushstrokes and that hugely expressive use of colour in the south of France, not south of the Thames. Van Gogh was 20 when he arrived in London to work in an art dealer's office in Covent Garden, where he stayed for two years, crossing the river each day from lodgings in Stockwell and the Oval. He later tried to earn his living from teaching and preaching before leavin...