It is a once-in-a-lifetime experience: the chance to see one of the greatest -- and most fragile -- works of European art before your very eyes. The illustrated manuscript known as the Très Riches Heures du Duc de Berry contains images that have shaped our view of the late Middle Ages, but it's normally kept under lock and key at the Château de Chantilly, north of Paris. It's only been exhibited twice in the past century. Now newly restored, the glowing pages of Les Très Riches Heures du Duc de Berry are on show to the public for just a few months. "Approche, approche," the Duke of Berry's usher tells the visitors to the great man's table for the feast that will mark the start of the New Year. It's also your invitation to examine closely the illustration for January, one of the 12 months from the calendar in this Book of Hours -- a collection of prayers and other religious texts -- that form the centrepiece of this exhibition in Chantilly. It's su...
One of the most exciting exhibitions on in Paris at the moment is Les Nabis et le Décor at the Musée du Luxembourg, showing how Vuillard, Denis, Bonnard and others created truly stunning interior designs in the final decade of the 19th century. The Nabis took their name from the Hebrew word for prophet, and if you want to see how they were inspired, the place to go is the Musée d'Orsay, where there's a show centred on the painting that sparked an artistic revolution. It's called Sérusier's The Talisman , a Prophecy of Colour , and the picture is just 27 x 21 centimetres, painted in oil on wood by Paul Sérusier in October 1888. Sérusier was staying in Pont-Aven in Brittany with Paul Gauguin. Earlier that year, he'd been painting in a fairly conventional style, as we see elsewhere in this show, but now, as Maurice Denis related a decade and a half later, he listened to the guidance Gauguin gave him: "How do you see these trees? They are yellow. So, put ...