There are some familiar names and familiar paintings in Art Then! British Painting, Sculpture and Drawing, 1910-1960 at Southampton City Art Gallery, but it's the unfamiliar that makes it especially worth the trip to a venue you might not normally consider for an exhibition. This show provides an excellent overview of art trends in this country in the first half of the 20th century. And it's free! Southampton has a very good collection, but we often get the feeling that a lot of interesting works are in store behind closed doors. Pleasant surprises await when they finally see the light of the day, in this case in combination with a selection from the extensive Ingram Collection of modern British art. In all, there are more than 100 works by over 100 artists, demonstrating how the British reacted to the latest developments in art on the Continent. So let's start with a couple of hidden gems from the Southampton treasure trove, first of all a Landscape that really stoppe...
Surrealism: It can be so full of wit and invention, so thought-provoking. At its worst, though, it can be mind-numbingly dull and repetitive. Exhibitions about Surrealism seem to oscillate between the two extremes as well. Having been to quite a few, we're delighted to say that Objects of Desire: Surrealism and Design 1924-Today at the Design Museum in London is one of the best. This is a big and wide-ranging show, and we happily spent more than two hours seeing some objects that were very familiar, and some that weren't. We laughed out loud quite a bit. Think of Surrealist objects, and the chances are that Salvador Dalí's Lobster Telephone and Mae West Lips Sofa will come to mind, and of course they are here, right at the start of the exhibition, as eye-catching and intriguing as ever. What a bizarre yet beautiful piece of furniture the sofa is. Dalí created it at the suggestion of his friend and patron, Edward James, for his Monkton House residence on the West Dean...