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Showing posts with the label Prado

The Fabric of Faith

We must confess that religious paintings are not our favourite subject, and we've tended to regard Spanish Catholic art as being, well, just a little too religious to cope with. So we approached the Francisco de  Zurbarán  exhibition at the National Gallery in London with a certain amount of trepidation. A degree of contrition is due.... Yes, there were monks, altarpieces and lots of saints, but we were blown away by Zurbarán's ability to depict textures and fabrics and to convey an intensity of feeling.  It's an absolutely excellent exhibition, full of truly beautiful paintings. Such religious art was intended to bring the faithful closer to God, to bridge the gap between Heaven and Earth, in an age when many could not read. Zurbarán was a master at it. Let's start with a saint: Just take a look at the fabrics, trimmings and gems in this picture. And the garments are even more striking when you are stood in front of this nearly life-size figure.  This is Casild...

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Opening in March -- in a Few Places

So museums and galleries in Britain won't be welcoming art-lovers back for a while yet (not until mid-May in England, according to Boris Johnson's current timetable), but they're open in Austria, Belgium and Spain and will be unbolting their doors again in Switzerland from the start of March.   That means we do have a few exhibitions to tell you about this month, and let's start in Switzerland, because the new show at the Kunstmuseum in Basel is scheduled to be making its way to London and New York before too long, assuming there are no more lockdowns.... Sophie Taeuber-Arp: Living Abstraction  from March 20 to June 20 celebrates one of the most influential avant-garde artists of the 20th century. She's perhaps better-known in German-speaking countries (her face is on the Swiss 50-franc note ) for her geometric designs across a wide range of media, including textiles, sculpture and painting. The exhibition is due at  Tate Modern in July and then  MoMA in Novem...

When Diego Met Rembrandt -- Close Encounters at the Prado

So, it's Spain against Holland in Madrid, for a much-anticipated meeting in the heat of the summer. And, from a rich pool of talent, there are some really big names on both sides. But it's not football we're here for, we've come to the Museo del Prado for 17th-century art, in the shape of an exhibition called  Velázquez, Rembrandt, Vermeer -- Parallel Visions . Is it any good? Well, the opening 25 minutes are fantastic and there's a real purple patch in the second half, but unfortunately they can't keep the pace up for the entire game. The idea of this show isn't so much a contest between the painters of opposing nations, it's to illustrate how similar their art was 350 years ago in the context of a united European culture (strong message here, one might say). National differences were overstated by art historians in the 19th and 20th centuries, the curators argue. Works by Spanish and Dutch masters hang side by side, for you to compare and contrast....

Opening in June

The Royal Academy's Summer Exhibition  this year is a little bit special: It's the 250th, and Grayson Perry heads the committee that's picked the 1,200 or so art works on show from June 12 to August 19. Concurrently, the RA is putting on The Great Spectacle: 250 Years of the Summer Exhibition telling the story from Joshua Reynolds to the present day. There are two linked shows at the National Gallery as well, running from June 11 to October 7. Thomas Cole: Eden to Empire  is the first exhibition in the UK devoted to the British-born American landscape artist inspired by Turner and Constable (tickets can be had for less than £10 on weekdays, so the National is clearly not expecting Monet-size crowds.) At the same time, there's a free display with Ed Ruscha 's modern take on Thomas Cole's work in Room 1. Tate Britain marks the centenary of the end of World War I by examining the immediate impact on British, French and German art.  Aftermath , running from ...