Skip to main content

Posts

Showing posts from May, 2020

A Queer Tale of Deception

Truth is often stranger than fiction, isn't it? Head to the newly opened venue of Charleston in Lewes for  Dorothy Hepworth and Patricia Preece: An Untold Story , an exhibition that relates a piece of art history that, you have to say, would make a good film.  And here are the two principal characters: Dorothy, on the left, a talented graduate of the Slade School of Fine Art , and her fellow student, friend, lover, partner and collaborator Patricia, perhaps not quite so talented, but both passionate about art.  The photograph seems to tell you a lot. Dorothy looks a little bit awkward and ill at ease, slightly frumpy, androgynous even. Patricia appears confident, glamorous, exuberant, perhaps a little.... possessive? But maybe we're getting ahead of ourselves. We need to establish the plot....   The rather retiring Hepworth and the outgoing, gregarious Preece became inseparable as students, and they planned to set up a studio together after graduation. In 1922, Preece took exam

Subscribe to updates

Opening (and Reopening) in June

Here in England, you can visit a car showroom again from June 1, but if you're hoping to get out to see some art during the month, it looks like you'll need to be on the European mainland. Museums across the Netherlands are reopening at the start of June, and one exhibition we can thoroughly recommend is George Stubbs -- The Man, The Horse, The Obsession at the Mauritshuis in The Hague, which is being extended through to August 30. Find out how, in the 18th century, Stubbs was able to produce portraits of horses of unparalleled realism and get the chance to admire Whistlejacket , his most famous work and one of the jewels of London's National Gallery. We saw a bigger, broader version of this show last year at the MK Gallery in Milton Keynes and loved it . Dutch museums will initially be operating at reduced capacity to allow for social distancing, and you need to book online tickets in advance to visit, specifying a timeslot for entry, though there's no need to we