Skip to main content

Posts

Showing posts from September, 2022

A Queer Tale of Deception

Truth is often stranger than fiction, isn't it? Head to the newly opened venue of Charleston in Lewes for  Dorothy Hepworth and Patricia Preece: An Untold Story , an exhibition that relates a piece of art history that, you have to say, would make a good film.  And here are the two principal characters: Dorothy, on the left, a talented graduate of the Slade School of Fine Art , and her fellow student, friend, lover, partner and collaborator Patricia, perhaps not quite so talented, but both passionate about art.  The photograph seems to tell you a lot. Dorothy looks a little bit awkward and ill at ease, slightly frumpy, androgynous even. Patricia appears confident, glamorous, exuberant, perhaps a little.... possessive? But maybe we're getting ahead of ourselves. We need to establish the plot....   The rather retiring Hepworth and the outgoing, gregarious Preece became inseparable as students, and they planned to set up a studio together after graduation. In 1922, Preece took exam

Subscribe to updates

Opening and Closing in October

There are a tremendous number of exhibitions opening this month, starting in London with Paul Cezanne at Tate Modern. Cezanne's painting revolutionised art at the end of the 19th century, and the Tate is promising us a "once-in-a-generation" show, the first big retrospective in the UK for more than 25 years, with around 80 works, more than 20 of them never before seen in Britain. They include The Basket of Apples from the Chicago Institute of Art, where the previous version of this show earned rave reviews. Cezanne is on in London from October 5 to March 12.  It's certainly not once in a generation for an exhibition about Lucian Freud, but it is the 100th anniversary of his birth this year, and his seven-decade career is surveyed at the National Gallery. Lucian Freud: New Perspectives will have more than 60 paintings, from early, intimate works to his late monumental fleshy nudes. It runs from October 1 to January 22, before heading to the Thyssen-Bornemisza muse

Venice in Peril, Part 2

You've just been to one exhibition about Canaletto and Venice, and then a second one comes along straight away, a bit like delayed vaporettos on the Grand Canal.  Canaletto's Venice Revisited at the National Maritime Museum in Greenwich contrasted the painter's classic views of the lagoon city with the threat it faces today from rising sea levels and mass tourism, and  Canaletto and Melissa McGill: Performance and Panorama  at the Lightbox in Woking takes a similar tack. But if Greenwich's display of statistics about population decline and increasing flooding and an array of disposable plastic boots for tourists left us rather depressed, we found something surprisingly soothing and uplifting about the American artist Melissa McGill's attempt to alert us to the same problems.  Back in 2019, McGill created the Red Regatta project, which saw dozens of traditional Venetian sailing boats hoisted with sails she had hand-painted in varying shades of red traversing the ci