It is a once-in-a-lifetime experience: the chance to see one of the greatest -- and most fragile -- works of European art before your very eyes. The illustrated manuscript known as the Très Riches Heures du Duc de Berry contains images that have shaped our view of the late Middle Ages, but it's normally kept under lock and key at the Château de Chantilly, north of Paris. It's only been exhibited twice in the past century. Now newly restored, the glowing pages of Les Très Riches Heures du Duc de Berry are on show to the public for just a few months. "Approche, approche," the Duke of Berry's usher tells the visitors to the great man's table for the feast that will mark the start of the New Year. It's also your invitation to examine closely the illustration for January, one of the 12 months from the calendar in this Book of Hours -- a collection of prayers and other religious texts -- that form the centrepiece of this exhibition in Chantilly. It's su...
Collage: Now there's an art form anyone can have a go at. For some of us, it brings back memories of primary school, using those scissors with the rounded ends and that glue that smelt of fish. Or for something a little more tactile, what about Fuzzy-Felt ? Art history has given us the view that it was the Cubists like Georges Braque and Pablo Picasso and those daring Dadaists who first started cutting up pieces of paper and sticking them down together to form pictures in the early years of the 20th century. But as the excellently titled Cut and Paste: 400 Years of Collage at the Scottish National Gallery of Modern Art in Edinburgh makes clear, they really weren't breaking new ground at all. People were a-cutting and a-pasting long before Picasso, but then they weren't calling it high art. So our story of collage takes us back to the days before anyone had even coined the term, back to the Victorian era and long before, when lots of amateur artists found amusement in...