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Showing posts with the label JMW Turner

Tales of the Unexpected in Southampton

There are some familiar names and familiar paintings in  Art Then! British Painting, Sculpture and Drawing, 1910-1960 at Southampton City Art Gallery, but it's the unfamiliar that makes it especially worth the trip to a venue you might not normally consider for an exhibition. This show provides an excellent overview of art trends in this country in the first half of the 20th century. And it's free!  Southampton has a very good collection, but we often get the feeling that a lot of interesting works are in store behind closed doors. Pleasant surprises await when they finally see the light of the day, in this case in combination with a selection from the extensive Ingram Collection of modern British art. In all, there are more than 100 works by over 100 artists, demonstrating how the British reacted to the latest developments in art on the Continent. So let's start with a couple of hidden gems from the Southampton treasure trove, first of all a Landscape that really stoppe...
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Fire and Water, Sun and Sky

"Fire and water.... the one all heat, the other all humidity -- who will deny that they both exhibit, each in its own way, some of the highest qualities of Art?" That was the Literary Gazette 's verdict in 1831 on JMW Turner and John Constable, probably the most admired of all British landscape artists. Almost exact contemporaries whose work is being celebrated at Tate Britain in  Turner & Constable: Rivals & Originals , a thoroughly engrossing exhibition that bathes you in the drama of Turner's golden sunlight, contrasted with perhaps the more understated charms of Constable's cloud-filled skies.  "The Sun is God" are supposed to have been Turner's last words, and throughout this show you can't get away from his solar worship -- one striking watercolour records The Sun Rising over Water . And that's it, that's all there is, but to be frank, you don't really notice the water. It's the bright yellow Sun that holds your eye,...
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The Mesmerising Power of Bridget Riley

There's no denying it: Bridget Riley's art has a physical effect on you. So much so that gallery attendants at Turner Contemporary in Margate for  Bridget Riley: Learning to See  have been advised to avert their eyes from the paintings regularly.  Stand in front of those curves and waves, or the precise narrow brightly coloured vertical stripes that fill some works, and you may feel you are swaying. You become slightly dizzy or a little queasy, even perhaps a bit seasick; well, it can get pretty choppy out there on the North Sea, just beyond the gallery walls. Nothing too alarming or extreme, though; it's just a perception.     When we went to see this Bridget Riley show w e knew what to expect, having been  in July 2019   to the  blockbuster exhibition   at the Scottish National Gallery in Edinburgh that brought together half a century of pictures in a dazzling extravaganza of Op Art abstraction.  It moved to the Hayward Gallery in...
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New Exhibitions in November

It's surely an anniversary the Tate has long been counting down to: JMW Turner was born in 1775, John Constable in 1776. To mark the 250 years of two of the country's greatest painters, Turner and Constable  is on at Tate Britain from November 27 to April 12. Rivals with very different approaches to landscape painting, they were both hugely influential. More than 170 works are promised, with Turner's Burning of the Houses of Lords and Commons  and Constable's White Horse  coming home from the US for the show. Before those two were even born, Joseph Wright of Derby had already painted his most famous picture, An Experiment on a Bird in the Air Pump . It'll be part of Wright of Derby: From the Shadows   at the National Gallery from November 7 to May 10, which is intended to challenge the view of Wright as just a painter of light and shade and to illustrate how he used the night to explore deeper and more sombre themes. Only 20 or so works, however, making it a disappo...
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Opening and Closing in May

Art history? No, we're starting this month with an exhibition that we'll be tagging #artherstory on social media. Now You See Us: Women Artists in Britain 1520-1920  opens at Tate Britain in London on May 16, with the aim of charting the path of women to being recognised as professional artists over the centuries. More than 100 will be represented: relatively widely known names such as Artemisia Gentileschi, Angelica Kauffman , Gwen John and Laura Knight , as well as the more obscure or neglected -- Levina Teerlinc, Mary Beale and Sarah Biffin . It's on till October 13, and as we've just seen a show in Germany focused on women artists over much the same timescale, we'll be keen to compare and contrast. Let's stick with a female theme. A short stroll up Millbank and across Lambeth Bridge, and you're at the Garden Museum, where from May 15 to September 29 you can see Gardening Bohemia: Bloomsbury Women Outdoors . The show takes you around the gardens of Vane...
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Rambles through Sussex without Muddy Boots

Sussex: home to probably the most enticing landscapes in south-east England in the shape of the South Downs and, most spectacularly, the cliffs of the Seven Sisters and Beachy Head, together with large swathes of scarcely populated, thickly wooded countryside.   The weather's been a bit inclement recently, but if you head down to the Pallant House Gallery in Chichester for  Sussex Landscape: Chalk, Wood and Water , you can wander through the entire county without getting your boots dirty and appreciate why it's attracted artists for centuries. From JMW Turner and John Constable through to Eric Ravilious and Paul Nash and contemporary artists, there's much to enjoy in a glorious exhibition that's as invigorating as a good walk.  As you set off, you can get your bearings from a 1795 map at the entrance to the exhibition, showing what the county was like before the railways came and opened up access from London. Brighton -- or Brighthelmstone as it was then called -- is...
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Opening in May

Those government-designated hotbeds of coronavirus infection that are England's public museums are due to open again on May 17, and all those exhibitions that have been stuck behind closed doors for months now will suddenly be able to welcome the public. So there's a lot of new shows to get through this month.... When the first lockdowns hit Europe last year, David Hockney was at his home in Normandy, and he spent three months recording in drawings on his iPad how nature in his immediate surroundings evolved day by day. The results can be seen at London's Royal Academy from May 23 to September 26 in  David Hockney: The Arrival of Spring, Normandy, 2020 , which features 116 works. You'll be familiar with Hockney's iPad drawings if you saw A Bigger Picture , the exhibition of his landscapes at the RA in 2012 (astonishing to think it was that long ago). The Normandy show goes on to Bozar in Brussels in October. Tate Modern also has a French theme, with the start on Ma...
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