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Showing posts with the label Gustav Klimt

New Exhibitions in September

The Bayeux Tapestry  exhibition at the British Museum starts on September 10; it's already sold out for this year but booking for the rest of the run, from January 1 through to July 11, will open on October 21. If you've never seen this most breathtaking of historical artefacts, you may want to seize the chance before it leaves London next year for its permanent home in Normandy, which will have been renovated during its absence. At Southampton City Art Gallery, we're promised an extensive exhibition of British art from the first half of the 20th century, drawing on the museum's own substantial holdings and those of the Ingram Collection . Running from September 26 to February 21,  Art Then! British Painting, Sculpture and Drawing, 1910-1960  will feature artists including Barbara Hepworth, Gwen John , Paul Nash and Eric Ravilious.   There might not be much new on in London this month, but we'll always have Paris. Starting at the Musée Jacquemart-André with Time...

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Opening and Closing in February

The big new show in London this month is Donatello: Sculpting the Renaissance at the Victoria & Albert Museum, starting on February 11. Donatello created a revolution in sculpture in 15th-century Florence, and this show, with some 130 objects, includes much work that has never been seen in the UK before. It's the last in a series of interlinked exhibitions following shows in Florence and Berlin that were highly praised. On until June 11.  The Ashmolean Museum in Oxford takes us to ancient Crete beginning on February 10 for Labyrinth: Knossos, Myth & Reality . The palace of Knossos was the centre of the Bronze Age Minoan civilization, and legend had it that an enormous labyrinth was built there to hold the Minotaur, a creature half-man, half-bull. This exhibition includes more than 100 objects that have never left Greece before as well as two immersive experiences. It runs until July 30. Curiously, the new show at the Fitzwilliam Museum in Cambridge is also about the a...

Opening and Closing in January

The first big exhibition of 2023 in London gets under way at the Royal Academy on January 21, and it features paintings by El Greco, Velázquez, Goya and  Joaquín Sorolla , as well as textiles, silverware and many other artworks from Spain and Latin America. There are more than 150 objects to discover from the  Hispanic Society of America  in New York, the most extensive collection of Spanish art outside its homeland. Spain and the Hispanic World: Treasures from the Hispanic Society Museum & Library  is on until April 10.  David Hockney has achieved the status of a British national treasure, and he's the opening attraction at a whizzy new venue in King's Cross, the Lightroom. From January 25 to April 23, the artist provides his own commentary for  David Hockney: Bigger & Closer (not smaller & further away) . In a cycle of six chapters, Hockney takes us through his career and constant experimentation with ways of seeing. The immersi...

What's On in 2023 -- Vermeer, Hals, Friedrich

What are the highlights of the exhibition calendar in Europe in 2023? How about the biggest Vermeer show ever? A Frans Hals blockbuster? Or a couple of exhibitions to mark the 250th birthday (in 2024) of the great German Romantic, Caspar David Friedrich? There's quite a bit of Klimt and Van Gogh, too. Here are some of our picks for the year ahead, in more or less chronological order.  January Opening the year at London's Royal Academy is the opportunity to experience some of the highlights of the most extensive collection of Spanish art outside Spain, from the Hispanic Society of America in New York. On show will be paintings by El Greco, Velázquez and Goya, as well as Joaquín Sorolla , along with much else besides.  Spain and the Hispanic World: Treasures from the Hispanic Society Museum & Library runs from January 21 to April 10.  There's a new venue opening in London on January 25: The Lightroom in King's Cross, and until April 23 it's showing David Hockney...

Gustav Klimt, Borrower of Ideas

Gustav Klimt was not as original a painter as you might think. For the proof, head to  Golden Boy Gustav Klimt  at the Van Gogh Museum in Amsterdam. It's a terrible title, but a really engrossing and eye-opening exhibition, showing you exactly how much Klimt's work was influenced not just by some of the other big names in late 19th- and early 20th-century art such as Vincent van Gogh, Auguste Rodin and Edvard Munch, but also by painters you tend not to mention in the same breath: Lawrence Alma-Tadema, Franz von Stuck and, er, Jan Toorop.  Jan Toorop? Yes, if you're looking for the inspiration for Klimt's dreamy, sensual  Water Serpents , with their flowing hair and accompaniments of golden stars, flowers and fish, look no further than along the wall, where The Dutchman's The Three Brides , created a decade earlier, hangs.  Toorop's Symbolist drawing is by no stretch of the imagination as seductive or memorable an image as Klimt's painting, but you only have ...

Brilliant White

Frans Hals had 27 blacks in his paintbox, according to Vincent van Gogh. How many whites did James McNeill Whistler have in his? You can make your own judgement in  Whistler's Woman in White: Joanna Hiffernan  at the Royal Academy in London. Jo, the red-headed Irishwoman who modelled for the paintings at the heart of this excellent exhibition, was also Whistler's lover (and distinctly different from  Whistler's Mother ), and she was central to his early development as an artist.  As you enter this show, this is the picture of Jo you can see in the distance through the doorway to your right:  Symphony in White, No 1: The White Girl . Whistler started the painting in Paris late in 1861, posing Hiffernan for exhausting all-day sessions, and he submitted it to the Royal Academy's annual exhibition in London the following year.  "Some stupid painters don't understand it at all," Hiffernan wrote, adding that Whistler thought that "praps the old duffers may...

Opening in December

The Dutch Golden Age wasn't just Rembrandt, Hals and Vermeer. A little further inland from the North Sea, the painters of Utrecht -- Dirck van Baburen, Hendrick ter Brugghen and Gerard van Honthorst -- pursued a very different course, echoing the drama and light effects pioneered in the far south of Europe by Caravaggio. That's the theme of Utrecht, Caravaggio and Europe at the Centraal Museum in Utrecht from December 16 to March 24, with 60 loans from across Europe and the US. Caravaggio's Entombment of Christ  from the Vatican can be seen for the first four weeks of the exhibition. At the Petit Palais in Paris, there are two shows that are a little out of the ordinary. The strange dream-like images of late 19th-century Belgian Symbolist Fernand Khnopff  are the subject of a major retrospective in an exhibition subtitled The Master of Enigma. Even odder are the drawings of Jean Jacques Lequeu , who died in poverty in 1826 having created his own architectural fantasy wo...

Opening in November

This year marks the centenary of the deaths of both Gustav Klimt and Egon Schiele , and Vienna has been celebrating both with exhibitions. Now, it's London's turn to get in on the act, and drawings from one of the Austrian capital's great museums, the Albertina, are heading to the Royal Academy. Klimt/Schiele  starts November 4 and runs through to February 3. At the National Gallery, there's a show devoted to one of the great portraitists of the Italian Renaissance, Lorenzo Lotto , known for his rich symbolism and psychological depth. This free exhibition is on from November 5 to February 10. Another free display at the National, starting November 29, centres on Edwin Landseer's Monarch of the Glen , that most romantic emblem of the Scottish Highlands (or a dreadful piece of Victorian kitsch?), which was bought for the nation from drinks giant Diageo last year. Other Landseer works and Peter Blake's version of the Monarch are also on show until February ...

Klimt in Vienna: Skip the Show and Head for the Kiss

There are some outstanding exhibitions on in Vienna at the moment ( Bruegel and Schiele , to name but two). Unfortunately, Gustav Klimt: Artist of the Century at the Leopold Museum isn't up to the same standard. For a stunning Klimt experience, far better to head to the Belvedere, where you can see not just The Kiss , but a lot of other great paintings too. The Leopold is marking the 100th anniversary of the deaths of both Klimt and Schiele this year, but unlike the Schiele show in the basement, the Klimt retrospective is a bit muddled and not very well laid-out. If, like us, you know a bit but not a lot about Klimt, you'll find it somewhat confusing and irritating. And much of the really good stuff has stayed in the Belvedere, which has the biggest collection of Klimt works in oil. In the first room, the curators give you a detailed biography of the artist, a man who loved a lot of women and fathered quite a lot of children. It's a bit of a shock to learn that Consue...