Skip to main content

Opening and Closing in July

A very eclectic mix of shows this month, and we're starting with an exhibition that's not art at all, but of vital interest to everyone. The Science Museum is investigating the Future of Food , looking at new advances in growing, making, cooking and eating it. On from July 24 to January 4, it's free, though you need to book. Oh, and you get to see this 3,500-year-old sourdough loaf..... At the Lowry in Salford, they're offering a double bill of Quentin Blake and Me & Modern Life: The LS Lowry Collection . The show about Blake, who's written or illustrated more than 500 books, looks aimed at a family audience, while the Lowry exhibition includes borrowed works, marking the Salford arts centre's 25th anniversary. On from July 19 to January 4, and entry is again free, though you need to book a timeslot.  Another anniversary this year is the 250th of the birth of Jane Austen; among the exhibitions around the country is one in Winchester, the city where she died ...

Subscribe to updates

Opening in March -- in a Few Places

So museums and galleries in Britain won't be welcoming art-lovers back for a while yet (not until mid-May in England, according to Boris Johnson's current timetable), but they're open in Austria, Belgium and Spain and will be unbolting their doors again in Switzerland from the start of March.  

That means we do have a few exhibitions to tell you about this month, and let's start in Switzerland, because the new show at the Kunstmuseum in Basel is scheduled to be making its way to London and New York before too long, assuming there are no more lockdowns.... Sophie Taeuber-Arp: Living Abstraction from March 20 to June 20 celebrates one of the most influential avant-garde artists of the 20th century. She's perhaps better-known in German-speaking countries (her face is on the Swiss 50-franc note) for her geometric designs across a wide range of media, including textiles, sculpture and painting. The exhibition is due at Tate Modern in July and then MoMA in November.

Meanwhile, in Madrid, there are two exhibitions to highlight at the Prado. Mythological Passions: Titian, Veronese, Allori, Rubens, Ribera, Poussin, Van Dyck, Velázquez starts on March 2 and brings together the six mythological paintings made by Titian for King Philip II of Spain, reunited for the first time in centuries and now back in Spain after initially being on show together at London's National Gallery. At the Prado, they're displayed as part of a total of 29 pictures of mythological love by great Renaissance and Baroque masters, 13 of them on loan. The exhibition runs until July 4.   

Opening on March 9 is the first ever exhibition dedicated to Marinus van Reymerswale. You may not recognise the name of this early 16th-century Netherlandish painter, but if you're interested in the art of this period, you're bound to have seen some of his pictures of money-changers and tax collectors, often with extravagant headgear, counting out their perhaps ill-gotten gains. Marinus: Painter from Reymerswale is on at the Prado until June 13. 
And in Milan, there's a celebration of often largely neglected women artists from the 16th and 17th centuries at the Palazzo Reale. Artemisia Gentileschi, Sofonisba Anguissola and Lavinia Fontana are the most celebrated of the 30-odd names represented by more than 130 works from around Italy and beyond in Le Signore d'Arte, which runs from March 2 to July 25. Some of the pictures will be on public display for the first time. 

Images

Sophie Taeuber-Arp, Composition à cercles et demi-cercles, 1938, Arp Museum Bahnhof Rolandseck, Remagen, Germany
Marinus van Reymerswale, The Moneychanger and his Wife, 1539, Museo Nacional del Prado, Madrid. © Museo Nacional del Prado

Comments

Popular posts from this blog

What's On in 2025

What will be the exhibition highlights of 2025 around Britain and Europe? At the end of the year, Tate Britain will be marking 250 years since the birth of JMW Turner and John Constable with a potential blockbuster. Meanwhile, the Swiss are  making a big thing  of the 100th anniversary of the death of Félix Vallotton  (a real favourite of ours). Among women artists in the spotlight will be Anna Ancher, Ithell Colquhoun, Artemisia Gentileschi and Suzanne Valadon. Here's a selection of what's coming up, in more or less chronological order; as ever, we make no claim to comprehensiveness, and our choice very much reflects our personal taste. And in our search for the most interesting shows, we're visiting Ascona, Baden-Baden, Chemnitz and Winterthur, among other places.  January  We start off in Paris, at the Pompidou Centre; the 1970s inside-out building is showing its age and it'll be shut in the summer for a renovation programme scheduled to last until 2030. Bef...

Carrington: You've Met Leonora, Now Discover Dora

Carrington: She only wanted to be known by her surname, unwittingly posing a conundrum for art historians, curators and the wider world a century later.  Because it's another somewhat later Carrington, the long-lived Surrealist and totally unrelated, who's recently become Britain's most expensive woman artist. But today we're at Pallant House Gallery in Chichester to see an exhibition not about Leonora but about Dora Carrington. She hated that name Dora -- so Victorian -- but with Leonora so much in the limelight (and the subject of a  recent show at Newlands House in Petworth, just a few miles up the road), the curators at the Pallant didn't have much option, so they've had to call their retrospective  Dora Carrington: Beyond Bloomsbury .  Leonora was a bit of a rebel, as we found out in Petworth. Dora too. But we ought to respect her wish. Carrington, then, has been a bit neglected recently; this is the first show of her works in three decades. And while ther...

Caillebotte: This Is Modern Paris

You won't find a single work of art by Gustave Caillebotte in a British public collection. And yet he's one of the key figures in the Impressionist movement, whose 150th anniversary we're celebrating this year. But over in Paris, he's the subject of a big, big exhibition at the Musée d'Orsay; we jumped on the Eurostar to see it, and, even though  Caillebotte: Painting Men   was the most crowded show we'd been to in quite some time, we absolutely adored it.  And let's start with perhaps the pièce de résistance. Even if you don't know Caillebotte at all, you may have seen this image before; there's something about it that encapsulates late 19th-century Paris, with its view of an intersection between the broad new streets pushed through by that radical city-planner, Baron Haussmann, lined by elegant new buildings. This was the modern city, the modern world. Paris Street; Rainy Day : a painting in which there's nothing really happening, and there...