Skip to main content

Opening and Closing in July

A very eclectic mix of shows this month, and we're starting with an exhibition that's not art at all, but of vital interest to everyone. The Science Museum is investigating the Future of Food , looking at new advances in growing, making, cooking and eating it. On from July 24 to January 4, it's free, though you need to book. Oh, and you get to see this 3,500-year-old sourdough loaf..... At the Lowry in Salford, they're offering a double bill of Quentin Blake and Me & Modern Life: The LS Lowry Collection . The show about Blake, who's written or illustrated more than 500 books, looks aimed at a family audience, while the Lowry exhibition includes borrowed works, marking the Salford arts centre's 25th anniversary. On from July 19 to January 4, and entry is again free, though you need to book a timeslot.  Another anniversary this year is the 250th of the birth of Jane Austen; among the exhibitions around the country is one in Winchester, the city where she died ...

Subscribe to updates

Opening in November

This year marks the centenary of the deaths of both Gustav Klimt and Egon Schiele, and Vienna has been celebrating both with exhibitions. Now, it's London's turn to get in on the act, and drawings from one of the Austrian capital's great museums, the Albertina, are heading to the Royal Academy. Klimt/Schiele starts November 4 and runs through to February 3.
At the National Gallery, there's a show devoted to one of the great portraitists of the Italian Renaissance, Lorenzo Lotto, known for his rich symbolism and psychological depth. This free exhibition is on from November 5 to February 10.
Another free display at the National, starting November 29, centres on Edwin Landseer's Monarch of the Glen, that most romantic emblem of the Scottish Highlands (or a dreadful piece of Victorian kitsch?), which was bought for the nation from drinks giant Diageo last year. Other Landseer works and Peter Blake's version of the Monarch are also on show until February 3.

Thomas Gainsborough was the first British artist to regularly portray members of his family, and the National Portrait Gallery has gathered more than 50 works, some never previously displayed, to put together Gainsborough's Family Album, charting his career. November 22 to February 3.

At the British Museum, it's time to make way for the most powerful man on earth, the ruler of 6th-century BC Assyria. I Am Ashurbanipal, starting November 8, uses the museum's Assyrian collections to evoke the splendours of his palace in Nineveh, then the largest city in the world. Until February 24.

The Guildhall Art Gallery in the City of London features rarely seen works from its extensive Victorian collection to show how attitudes towards children changed and softened over the course of the 19th century. Victorian Children in the Frame starts November 23 and continues until May.

The Queen's Gallery looks at the connections between Russia and Britain and the dynasties that ruled them in Russia, Royalty and the Romanovs, which starts November 9 and runs through to April 28. Portraits and Fabergé miniatures are among the objects on display. Meanwhile, the Queen's Gallery in Edinburgh shows Charles II: Art & Power from November 23 to June 2, documenting Charles's reconstitution of the royal collection after the restoration of the monarchy in 1660. We enjoyed this  exhibition when it was on in London earlier this year
Tate Liverpool is staging the first UK exhibition in 30 years devoted to Fernand Léger. Enthralled by the vibrancy of modern life, the Frenchman drew on photography and new forms of communication for his paintings and textiles. November 23 to March 17.
From one northern quayside venue to another: The Lowry in Salford explores LS Lowry's passion for the Pre-Raphs, and places work by his two favourite artists, Dante Gabriel Rossetti and Ford Madox Brown, as well as others from the movement, including pictures that once belonged to him, alongside his own. Lowry and the Pre-Raphaelites is on from November 10 to February 24. And it's free.

Rossetti's sister, the poet Christina, is in focus at the Watts Gallery at Compton in Surrey. Portraits by her brother and art inspired by her writing are on display in Christina Rossetti: Vision & Verse, from November 13 to March 17.

In Cologne, the Wallraf-Richartz Museum has a broad sweep of a show looking at American art from 1650 to 1950. Once Upon a Time in America will bring together about 120 loans, with Thomas Eakins, George Bellows, Mary Cassatt, Edward Hopper and Georgia O'Keeffe among the big names, as well as John Singleton Copley. November 23 to March 24.
Not too far away, at the Bundeskunsthalle in Bonn, there's a big, big show devoted to possibly the quintessential German Expressionist, Ernst Ludwig Kirchner. Imaginary Travels brings together 180 works, which sounds perhaps a little exhausting. November 16 to March 3.

That early 17th-century master portraitist Anthony Van Dyck is the subject of a show at the Sabauda Gallery in Turin that has more than 50 works on display to illustrate his work as a court artist in Italy as well as to Charles I in England. Van Dyck Pittore di Corte is on from November 16 to March 17.

In the Netherlands, the first big exhibition for 2019's Rembrandt Year, marking the 350th anniversary of his death, opens on November 24 at the Fries Museum in Leeuwarden. Rembrandt & Saskia -- she was from the city -- tells the story of their marriage, and portraits and personal objects give a picture of  love in the Dutch Golden Age. Until March 17.

Finally, Renoir Father and Son at the Musée d'Orsay in Paris explores the relationship between Impressionist painter Pierre-Auguste and filmmaker son Jean, creator of La Grande Illusion. This show got good reviews when it was on previously at the Barnes Foundation in Philadelphia. November 6 to January 27.

Images

Egon Schiele, Seated Female Nude, Elbows Resting on Right Knee, 1914, Albertina Museum, Vienna
Lorenzo Lotto, Triple Portrait of a Goldsmith, about 1525–35, Kunsthistorisches Museum, Vienna. © KHM-Museumsverband
Cristofano Allori, Judith with the Head of Holofernes, 1613, Royal Collection Trust. (c) Her Majesty Queen Elizabeth II 2018
Fernand Léger, Two Women Holding Flowers, 1954, Tate. © ADAGP, Paris and DACS, London 2018
John Singleton Copley, Watson and the Shark, 1782, Detroit Institute of Arts; Founders Society Purchase, Dexter M. Ferry, Jr. Fund. Photo: Bridgeman Images.

Comments

Popular posts from this blog

What's On in 2025

What will be the exhibition highlights of 2025 around Britain and Europe? At the end of the year, Tate Britain will be marking 250 years since the birth of JMW Turner and John Constable with a potential blockbuster. Meanwhile, the Swiss are  making a big thing  of the 100th anniversary of the death of Félix Vallotton  (a real favourite of ours). Among women artists in the spotlight will be Anna Ancher, Ithell Colquhoun, Artemisia Gentileschi and Suzanne Valadon. Here's a selection of what's coming up, in more or less chronological order; as ever, we make no claim to comprehensiveness, and our choice very much reflects our personal taste. And in our search for the most interesting shows, we're visiting Ascona, Baden-Baden, Chemnitz and Winterthur, among other places.  January  We start off in Paris, at the Pompidou Centre; the 1970s inside-out building is showing its age and it'll be shut in the summer for a renovation programme scheduled to last until 2030. Bef...

Carrington: You've Met Leonora, Now Discover Dora

Carrington: She only wanted to be known by her surname, unwittingly posing a conundrum for art historians, curators and the wider world a century later.  Because it's another somewhat later Carrington, the long-lived Surrealist and totally unrelated, who's recently become Britain's most expensive woman artist. But today we're at Pallant House Gallery in Chichester to see an exhibition not about Leonora but about Dora Carrington. She hated that name Dora -- so Victorian -- but with Leonora so much in the limelight (and the subject of a  recent show at Newlands House in Petworth, just a few miles up the road), the curators at the Pallant didn't have much option, so they've had to call their retrospective  Dora Carrington: Beyond Bloomsbury .  Leonora was a bit of a rebel, as we found out in Petworth. Dora too. But we ought to respect her wish. Carrington, then, has been a bit neglected recently; this is the first show of her works in three decades. And while ther...

Caillebotte: This Is Modern Paris

You won't find a single work of art by Gustave Caillebotte in a British public collection. And yet he's one of the key figures in the Impressionist movement, whose 150th anniversary we're celebrating this year. But over in Paris, he's the subject of a big, big exhibition at the Musée d'Orsay; we jumped on the Eurostar to see it, and, even though  Caillebotte: Painting Men   was the most crowded show we'd been to in quite some time, we absolutely adored it.  And let's start with perhaps the pièce de résistance. Even if you don't know Caillebotte at all, you may have seen this image before; there's something about it that encapsulates late 19th-century Paris, with its view of an intersection between the broad new streets pushed through by that radical city-planner, Baron Haussmann, lined by elegant new buildings. This was the modern city, the modern world. Paris Street; Rainy Day : a painting in which there's nothing really happening, and there...