The Art Exhibitions Blog

An exhibition of early 20th-century Ukrainian art from museums in Kyiv has been touring Europe since late 2022, and now it's coming to London. In the Eye of the Storm: Modernism in Ukraine, 1900-1930s will be on at the Royal Academy from June 29 to October 13, bringing together about 65 works. Kazymyr Malevych, Sonia Delaunay, Alexandra Exter and El Lissitzky are perhaps the best-known names.  Divorced, beheaded, died; divorced, beheaded, survived. Those are the fates of course of the Six Wives: The Stories of Henry VIII's Queens at the National Portrait Gallery from June 20 (a bonus point if you can name them in the correct order). This exhibition, running till September 8, will look back through the centuries from depictions of the six wives in contemporary art and popular culture to the Tudor period and the paintings of  Hans Holbein the Younger .     Next door, at the National Gallery, there's another in their series of free medium-sized exhibiti...

When the Louvre put on a huge retrospective of the genre of still life in 2022-23, there were only five works by British artists on show out of a total of nearly 170. Brits don't do still life? Wrong, as shown in  The Shape of Things: Still Life in Britain at Pallant House Gallery in Chichester, with some 140 artworks. Some are beautiful, some are arresting, some are utterly surprising; one or two are downright weird. Boring? Not these still lifes.  The show starts off traditionally enough, with paintings from the 17th and 18th centuries, some the work of immigrant artists from the Low Countries, but some home-grown: Right here in Chichester, the three Smith Brothers were among the earliest English artists to specialise in still lifes, and here you can see the work of the eldest, William, with a choice array of fruit , and of George, with as English a theme as you could get, a joint of beef .  The second room takes us into the start of the 20th century, where the e...

Everybody loves a bargain when they're out shopping, don't they? Here's a tip: Get over to Normandy this summer for a great-value exhibition at the Musée des Beaux-Arts in Caen. And it's all about shopping:  Merchandise as Spectacle: Art and Retailing 1860-1914 . Because even if you're not a fan of trailing round the shops, this is a fascinating slice of art and social history packed with paintings, posters and film. And they're practically giving it away!  As cities took on a new shape in the 19th century, department stores were one of the modern wonders of the urban scene; along with railway stations they were the cathedrals of the Victorian age. And like cathedrals and railway stations, they were a motif that drew the modern artist. This is one of the great Parisian stores, Le Bon Marché, as seen by the Swiss-born  Félix Vallotton .   Obsequious mustachioed salesmen show off their fabrics to the choosy female customers. There's hardly room to squeeze your...

The Snowman has become an integral part of the British Christmas, with its come-to-life hero taking a small dressing-gowned boy for an adventure Walking in the Air . It's a 20th-century equivalent of Charles Dickens's tale of Ebenezer Scrooge, Bob Cratchit and Tiny Tim. When The Snowman 's creator, Raymond Briggs, applied to go to art school at the age of 15, his interviewer was horrified to hear that he wanted to be a cartoonist. Today, he might be even more horrified to find out about  Bloomin' Brilliant: The Life and Work of Raymond Briggs at the Ditchling Museum of Art + Craft in East Sussex.   Briggs, who died two years ago, lived just a mile down the road from Ditchling, in the shadow of the South Downs. This joyful celebratory show looks back on a 60-year career that also gave us Fungus the Bogeyman , Father Christmas , When the Wind Blows and the story of his parents, Ethel and Ernest . Cartoons, picture books, graphic novels, for children perhaps, but actual...

Art history? No, we're starting this month with an exhibition that we'll be tagging #artherstory on social media. Now You See Us: Women Artists in Britain 1520-1920  opens at Tate Britain in London on May 16, with the aim of charting the path of women to being recognised as professional artists over the centuries. More than 100 will be represented: relatively widely known names such as Artemisia Gentileschi, Angelica Kauffman , Gwen John and Laura Knight , as well as the more obscure or neglected -- Levina Teerlinc, Mary Beale and Sarah Biffin . It's on till October 13, and as we've just seen a show in Germany focused on women artists over much the same timescale, we'll be keen to compare and contrast. Let's stick with a female theme. A short stroll up Millbank and across Lambeth Bridge, and you're at the Garden Museum, where from May 15 to September 29 you can see Gardening Bohemia: Bloomsbury Women Outdoors . The show takes you around the gardens of Vane...

What motif could be more Impressionist than a view of the cliffs or beaches of the Normandy coastline? And with this year marking the 150th anniversary of the first Impressionist exhibition, we've been to Normandy to take in a show focusing on that very subject.     Impressionism and the Sea  at the Musée des impressionnismes in Giverny sets the scene as you enter, with the cries of screeching seagulls and the sound of waves lapping on the beach. The curators bring you Claude Monet, Paul Gauguin, Camille Pissarro and other names you'll be expecting, but there are some lesser-known artists to conjure with too.  Partly, we assume, because there are so many other exhibitions about Impressionism going on this year, most of the pictures in Giverny have an unfamiliar feel. The stand-out Monet doesn't show the beach at Etretat , with its striking cliff formations, but the strand and cliffs at Les Petites Dalles, further east, beyond Fécamp.  Nevertheless, it's ver...

Truth is often stranger than fiction, isn't it? Head to the newly opened venue of Charleston in Lewes for  Dorothy Hepworth and Patricia Preece: An Untold Story , an exhibition that relates a piece of art history that, you have to say, would make a good film.  And here are the two principal characters: Dorothy, on the left, a talented graduate of the Slade School of Fine Art , and her fellow student, friend, lover, partner and collaborator Patricia, perhaps not quite so talented, but both passionate about art.  The photograph seems to tell you a lot. Dorothy looks a little bit awkward and ill at ease, slightly frumpy, androgynous even. Patricia appears confident, glamorous, exuberant, perhaps a little.... possessive? But maybe we're getting ahead of ourselves. We need to establish the plot....   The rather retiring Hepworth and the outgoing, gregarious Preece became inseparable as students, and they planned to set up a studio together after graduation. In 1922, ...