Skip to main content

Knowing Me, Knowing You

Self-portraits; now, we've seen quite a lot of exhibitions of those over the years. You know how Rembrandt or Vincent van Gogh saw themselves. But how do artists depict other artists? What happens when Peter Blake meets David Hockney, when Eric Ravilious takes on Edward Bawden? Answers can be found at the Pallant House Gallery in Chichester in a very interesting and illuminating exhibition entitled  Seeing Each Other: Portraits of Artists .  And sometimes the artist you see is a different artist from the one you might be expecting. When Mary McCartney photographed Tracey Emin in 2000, what came out was Frida Kahlo. McCartney felt a close affinity with the Mexican artist, and so did Emin, whose controversial My Bed had just been shortlisted for the Turner Prize. McCartney said she'd had a daydream of Emin as Kahlo, who spent a lot of time in bed herself as a result of her disabling injuries.  Emin was made up and dressed for the shoot, and then, according to McCartney , "...
Post a Comment

Subscribe to updates

Opening in March

The blockbuster is Picasso 1932: Love, Fame, Tragedy at Tate Modern, which runs from March 8 to September 9. It's the first ever solo Picasso show there, and the Tate is calling it one of the most significant it's ever staged. More than 100 works will take the visitor on a month-by-month journey through a pivotal year in Picasso's life. When it was on at the Musee Picasso in Paris, this exhibition was called 1932: Année Erotique, but you can imagine the Tate might have had trouble with that for its posters on the Tube... Be warned, this show appears to set a new standard for London ticket prices at £22 (they cost half that -- 12.50 euros -- in Paris).
The National Portrait Gallery offers Victorian Giants: the Birth of Art Photography from March 1 to May 20, featuring pictures by Lewis Carroll and Julia Margaret Cameron. There's more camerawork at the National Maritime Museum in Greenwich in The Great British Seaside, including new material by Martin Parr.

Tacita Dean, who works mainly in film, will be ubiquitous this spring, with shows exploring the Portrait at the National Portrait Gallery and Still Life at the National Gallery, both on from March 15 to May 28. A third exhibition looking at Landscape opens at the Royal Academy in May.

An intriguing-sounding show at the Whitechapel Gallery promises a first view of the public artworks commissioned for London's Crossrail project. Art for the Elizabeth Line opens March 13 and runs through to May 6.

Moving outside the capital, the Ashmolean in Oxford is highlighting American art from the 1920s and 30s, with major loans from the Metropolitan Museum in New York and many works on view in the UK for the first time. Georgia O'Keeffe and Edward Hopper are among the big names in America's Cool Modernism from March 23 to July 22.
The Louvre is devoting a huge-sounding exhibition to Delacroix, with some 180 works by the French Romantic. It's the first full Delacroix retrospective in Paris since 1963 and can be seen from March 29 to July 23.

Finally, if you're in the National Gallery over the next few months and are wondering where one of the country's most iconic pictures has gone... Mr and Mrs Andrews have headed off to the Kunsthalle in Hamburg for Thomas Gainsborough: The Modern Landscape, which starts March 2 and continues to May 27.

Images

Cecil Beaton, Pablo Picasso, rue la Boétie, 1933, Paris. (c) The Cecil Beaton Studio Archive at Sotheby's
Georgia O'Keeffe, East River from the Shelton Hotel, 1928, Metropolitan Museum of Art, New York. (c) 2017 Artists Rights Society, New York
Thomas Gainsborough, Mr and Mrs Andrews, c. 1750. (c) The National Gallery, London

Georgia O’Keeffe (1887
–
1986)
East River from the Shelton Hotel,
1928
Oil on canvas, 30.5 x 81.3 cm
Metropolitan Museum of Art, New York
© 2017 Artists Rights Society (ARS), New Yor
Cecil Beaton
Pablo Picas
so, rue La Boétie, 19
33, Paris
Labels:

Comments

Post a Comment

Popular posts from this blog

What's On in 2025

What will be the exhibition highlights of 2025 around Britain and Europe? At the end of the year, Tate Britain will be marking 250 years since the birth of JMW Turner and John Constable with a potential blockbuster. Meanwhile, the Swiss are  making a big thing  of the 100th anniversary of the death of Félix Vallotton  (a real favourite of ours). Among women artists in the spotlight will be Anna Ancher, Ithell Colquhoun, Artemisia Gentileschi and Suzanne Valadon. Here's a selection of what's coming up, in more or less chronological order; as ever, we make no claim to comprehensiveness, and our choice very much reflects our personal taste. And in our search for the most interesting shows, we're visiting Ascona, Baden-Baden, Chemnitz and Winterthur, among other places.  January  We start off in Paris, at the Pompidou Centre; the 1970s inside-out building is showing its age and it'll be shut in the summer for a renovation programme scheduled to last until 2030. Bef...
Post a Comment
Read more

Carrington: You've Met Leonora, Now Discover Dora

Carrington: She only wanted to be known by her surname, unwittingly posing a conundrum for art historians, curators and the wider world a century later.  Because it's another somewhat later Carrington, the long-lived Surrealist and totally unrelated, who's recently become Britain's most expensive woman artist. But today we're at Pallant House Gallery in Chichester to see an exhibition not about Leonora but about Dora Carrington. She hated that name Dora -- so Victorian -- but with Leonora so much in the limelight (and the subject of a  recent show at Newlands House in Petworth, just a few miles up the road), the curators at the Pallant didn't have much option, so they've had to call their retrospective  Dora Carrington: Beyond Bloomsbury .  Leonora was a bit of a rebel, as we found out in Petworth. Dora too. But we ought to respect her wish. Carrington, then, has been a bit neglected recently; this is the first show of her works in three decades. And while ther...
Post a Comment
Read more

The Thrill of Pleasure: Bridget Riley

Prepare yourself for some sensory overload. Curves, stripes, zig-zags, wavy lines, dots, in black and white or colour. Look at many of the paintings of Bridget Riley and you're unable to escape the eerie sensation that the picture in front of you is in motion, has its own inner three-dimensional life, is not just inert paint on flat canvas, panel or plaster. It's by no means unusual to see selections of Riley's paintings on display, but a blockbuster exhibition at the Scottish National Gallery in Edinburgh brings together 70 years of her pictures in a dazzling extravaganza of abstraction, including a recreation of her only actual 3D work, which you walk into for a perspectival sensurround experience. It's "that thrill of pleasure which sight itself reveals," as Riley once said. It's a really terrific show, and the thrill of pleasure in the Scottish capital was enhanced by the unexpected lack of visitors on the day we went to see it, with huge empty sp...
Post a Comment
Read more