Skip to main content

Opening and Closing in April

We'll start this month at the King's Gallery in London, where more than 300 artworks and other objects from the Royal Collection will be on display from April 11 for  The Edwardians: Age of Elegance . Illustrating the tastes of the period between the death of Victoria and World War I, the show features the work of John Singer Sargent , Edward Burne-Jones , William Morris and Carl Fabergé, among others. On to November 23. More Morris at, unsurprisingly, the William Morris Gallery in Walthamstow.  Morris Mania , which runs from April 5 to September 21, aims to show how his designs have continued to capture the imagination down the decades, popping up in films and on television, in every part of the home, on trainers, wellies, and even in nuclear submarines.... From much the same era, Guildhall Art Gallery in the City offers  Evelyn De Morgan: The Modern Painter in Victorian London  from April 4 to January 4. De Morgan's late Pre-Raphaelite work with its beautifull...

Subscribe to updates

Leonardo Draws the Crowds Across the UK

The exhibitions of Leonardo da Vinci drawings from the Royal Collection at 12 galleries around the UK are drawing such crowds that they are set to break attendance records.

The show marking the 500th anniversary of Leonardo's death at the Millennium Gallery in Sheffield has produced a "fantastic response", Museums Sheffield said this week. "In the first 19 days since we opened we’ve welcomed over 25,000 visitors through the doors, which sets it on track to become the Millennium Gallery’s most popular exhibition ever."

Glasgow's Kelvingrove Art Gallery reported the highest daily attendance figures of the eight museums that responded to our inquiries. It saw 18,408 visitors in the first 12 days after the displays opened simultaneously around the country on February 1.
Liverpool's Walker Art Gallery also reported more than 1,150 visitors a day, with a cumulative total of 19,603 by February 17. The Ulster Museum in Belfast reported 16,576 visitors by February 18, with 3,347 last weekend. Almost half of those going to the museum are visiting the Leonardo show.

The numbers may not be quite as high at some of the other venues, but Derby Museum & Art Gallery said it hasn't "ever experienced anything like the numbers of visitors coming through our doors." It counted almost 10,500 people by February 19, putting visitor numbers up 132% on the same period of 2018.

Bristol Museum & Art Gallery said its Leonardo was so far the busiest ticketed show it's had going by daily or weekly average visitor numbers, with 6,800 visitors by February 18. Bristol is charging for entry to its display, in contrast to most of the other venues, though students and under-25s go free on Wednesdays. 
Meanwhile, Southampton City Art Gallery said it had seen attendance at more than 20% of its normal yearly visitor numbers in the past three weeks. The National Museum in Cardiff said its display, for which there's also an admission charge, had drawn 7,187 visitors up to 17 February, an average of 479 a day, on a par with another Leonardo exhibition it hosted in 2007.

Leonardo da Vinci: A Life in Drawing is also on at Birmingham Museum & Art Gallery, Leeds Art Gallery, Manchester Art Gallery and Sunderland Museum & Winter Gardens. Each display, running until May 6, features 12 drawings from the Royal Collection. All the drawings and more go on show at the Queen's Gallery in London starting in late May, with a selection at Holyroodhouse in Edinburgh from November.

Images

Leonardo da Vinci, A star-of-Bethlehem and other plants, c. 1506-12, on display at Kelvingrove Art Gallery and Museum, Glasgow. Royal Collection Trust. © Her Majesty Queen Elizabeth II 2018
Leonardo da Vinci, Cats, lions and a dragon, c. 1517-18, on display at Bristol Museum & Art Gallery. Royal Collection Trust. © Her Majesty Queen Elizabeth II 2018

Comments

Popular posts from this blog

What's On in 2025

What will be the exhibition highlights of 2025 around Britain and Europe? At the end of the year, Tate Britain will be marking 250 years since the birth of JMW Turner and John Constable with a potential blockbuster. Meanwhile, the Swiss are  making a big thing  of the 100th anniversary of the death of Félix Vallotton  (a real favourite of ours). Among women artists in the spotlight will be Anna Ancher, Ithell Colquhoun, Artemisia Gentileschi and Suzanne Valadon. Here's a selection of what's coming up, in more or less chronological order; as ever, we make no claim to comprehensiveness, and our choice very much reflects our personal taste. And in our search for the most interesting shows, we're visiting Ascona, Baden-Baden, Chemnitz and Winterthur, among other places.  January  We start off in Paris, at the Pompidou Centre; the 1970s inside-out building is showing its age and it'll be shut in the summer for a renovation programme scheduled to last until 2030. Bef...

Carrington: You've Met Leonora, Now Discover Dora

Carrington: She only wanted to be known by her surname, unwittingly posing a conundrum for art historians, curators and the wider world a century later.  Because it's another somewhat later Carrington, the long-lived Surrealist and totally unrelated, who's recently become Britain's most expensive woman artist. But today we're at Pallant House Gallery in Chichester to see an exhibition not about Leonora but about Dora Carrington. She hated that name Dora -- so Victorian -- but with Leonora so much in the limelight (and the subject of a  recent show at Newlands House in Petworth, just a few miles up the road), the curators at the Pallant didn't have much option, so they've had to call their retrospective  Dora Carrington: Beyond Bloomsbury .  Leonora was a bit of a rebel, as we found out in Petworth. Dora too. But we ought to respect her wish. Carrington, then, has been a bit neglected recently; this is the first show of her works in three decades. And while ther...

The Thrill of Pleasure: Bridget Riley

Prepare yourself for some sensory overload. Curves, stripes, zig-zags, wavy lines, dots, in black and white or colour. Look at many of the paintings of Bridget Riley and you're unable to escape the eerie sensation that the picture in front of you is in motion, has its own inner three-dimensional life, is not just inert paint on flat canvas, panel or plaster. It's by no means unusual to see selections of Riley's paintings on display, but a blockbuster exhibition at the Scottish National Gallery in Edinburgh brings together 70 years of her pictures in a dazzling extravaganza of abstraction, including a recreation of her only actual 3D work, which you walk into for a perspectival sensurround experience. It's "that thrill of pleasure which sight itself reveals," as Riley once said. It's a really terrific show, and the thrill of pleasure in the Scottish capital was enhanced by the unexpected lack of visitors on the day we went to see it, with huge empty sp...