Skip to main content

Rembrandt & van Hoogstraten: The Art of Illusion

It takes a split second these days to create an image, and how many millions are recorded daily on mobile phones, possibly never to be looked at again? You can see it all happening in the palatial surroundings of the Kunsthistorisches Museum in Vienna, definitely one of those tick-off destinations on many travellers' bucket lists, where those in search of instant pictorial satisfaction throng the imposing statue-lined staircase for a selfie or pout for a photo in the café under the spectacular cupola. But we're not in Vienna for a quick fix, we're at the KHM to admire something more enduring in the shape of art produced almost 500 years ago by Rembrandt and his pupil Samuel van Hoogstraten that was intended to mislead your eyes into seeing the real in the unreal. Artistic deception is the story at the centre of  Rembrandt--Hoogstraten: Colour and Illusion , one of the most engrossing and best-staged exhibitions we've seen this year. And, somewhat surprisingly, a show wi...
Post a Comment

Subscribe to updates

Opening in May

Shape of Light is the title of the new show that Tate Modern says aims to tell the intertwined stories of photography and abstract art for the first time. Man Ray and Alfred Stieglitz are among the pioneering photographers featured from May 2 to October 14.

At the Royal Academy, the third of Tacita Dean's three spring shows at major London museums opens on May 19. This one focuses on Landscape and runs to August 12. The two others -- Portrait at the National Portrait Gallery and Still Life at the National Gallery -- can be seen until May 28.

Edward Bawden, perhaps best known as an illustrator and graphic artist, is the subject of a wide-ranging retrospective at Dulwich Picture Gallery that's also intended to champion his work as a fine artist, including innovative watercolours in the 1930s. It's on from May 23 to September 9, following on from Dulwich's excellent David Milne show.
The Guildhall Art Gallery in the City of London focuses on William De Morgan, described as "the most intriguing and inventive ceramic designer of the late Victorian period". Sublime Symmetry, a free exhibition, runs from May 11 to October 28.

The Museum of London Docklands looks at how the Londoners of 2,000 years ago buried their loved ones, with a sarcophagus newly discovered in Southwark on display for the first time. Roman Dead starts on May 25 and is on till October 28, and there's again no charge to see it.

Bringing things bang up to date, the V&A looks at 100 projects shaping the world of tomorrow from smart appliances to satellites. The Future Starts Here starts there on May 12 and ends on November 4.

The Pallant in Chichester celebrates the work of female artists in a show inspired by the writings of Virginia Woolf that was well reviewed when it was first on at Tate St Ives at the beginning of this year. Barbara Hepworth, Gwen John, Vanessa Bell and Laura Knight are among the 80 women featured from May 26 to September 16. The exhibition then travels to the Fitzwilliam in Cambridge.
Prized Possessions is the title of the new exhibition at the Holburne Museum in Bath, featuring Dutch paintings from National Trust houses by artists including Rembrandt, Cuyp and ter Borch. Running from May 25 to September 16, this seems set to be a quality show, not least because it moves on to the Mauritshuis in The Hague later this year. There's another chance to see it at Petworth in spring 2019.
In Eastbourne, the Towner marks the 100th anniversary of the death of Edward Stott, "the poet-painter of the twilight". His atmospheric depictions of rural scenes are being brought together for the first time in more than four decades from May 26 to September 16.

Back in St Ives, the Tate's summer show is devoted to the vibrant abstract paintings of Patrick Heron in a retrospective spanning the second half of the 20th century that gets under way on May 19 and will be on till September 30.

One highlight on the Continent is a 130-work show in Denmark covering the career of Gabriele Münter, whose saturated-colour landscapes and portraits belie the Angst-ridden image of German Expressionism. It's on at the Louisiana Museum of Modern Art north of Copenhagen from May 3 to August 19. You might not think the Danish capital the most obvious destination for art-lovers, but it's actually got a fantastic array of galleries to visit.

Images

Edward Bawden, Untitled Landscape with Sunset, 1927, Private Collection. (c) Estate of Edward Bawden
Dame Laura Knight, The Dark Pool, 1908-1918, Laing Art Gallery, Newcastle. (c) Reproduced with permission of the Estate of Dame Laura Knight DBE RA 2018. All rights reserved
Gerard ter Borch, An Officer Making His Bow to a Lady, c. 1662, Polesden Lacey, Surrey. (c) National Trust Images/John Hammond

Edwar
d Bawden,
Untitled landscape with
sunset
, 19
27
,
watercolour
on paper
, Private
Collection,
© Estate of Edward Bawden
Labels:

Comments

Post a Comment

Popular posts from this blog

Opening and Closing in October

There's been a spate of exhibitions over the past few years aimed at redressing centuries of neglect of the work of women artists, and the Italian Baroque painter  Artemisia Gentileschi is the latest to come into focus, at the National Gallery in London, starting on October 3. Most of the works have never been seen in Britain before, and they cover a lengthy career that features strong female figures in Biblical and classical scenes, as well as self-portraits. Until January 24.  Also starting at the National on October 7 is a free exhibition that looks at Sin , as depicted by artists from Diego Velázquez and William Hogarth through to Tracey Emin, blurring the boundaries between the religious and the secular. This one runs until January 3.   Tate Britain shows this winter how JMW Turner embraced the rapid industrial and technological advances at the start of the 19th century and recorded them in his work. Turner's Modern World , starting on October 28, will inclu...
Post a Comment
Read more

The Thrill of Pleasure: Bridget Riley

Prepare yourself for some sensory overload. Curves, stripes, zig-zags, wavy lines, dots, in black and white or colour. Look at many of the paintings of Bridget Riley and you're unable to escape the eerie sensation that the picture in front of you is in motion, has its own inner three-dimensional life, is not just inert paint on flat canvas, panel or plaster. It's by no means unusual to see selections of Riley's paintings on display, but a blockbuster exhibition at the Scottish National Gallery in Edinburgh brings together 70 years of her pictures in a dazzling extravaganza of abstraction, including a recreation of her only actual 3D work, which you walk into for a perspectival sensurround experience. It's "that thrill of pleasure which sight itself reveals," as Riley once said. It's a really terrific show, and the thrill of pleasure in the Scottish capital was enhanced by the unexpected lack of visitors on the day we went to see it, with huge empty sp...
Post a Comment
Read more

Angelica Kauffman: Breaking Through the 18th-Century Glass Ceiling

In the late 18th century, Angelica Kauffman was famous throughout Europe, one of the leading international painters of the day. A success in London, Venice and Rome, she attracted commissions from Catherine the Great, the Emperor of Austria and the Pope. She was a close friend of Goethe, a founding member of Britain's Royal Academy. When she died in 1807, her lavish funeral in Rome drew enormous crowds. A far from ordinary life, then. And for an 18th-century woman in the male-dominated world of art, an utterly extraordinary one. She achieved equal pay, got women wearing trousers, drew male nudes and even had a pre-nup. It's a story that's arrestingly told in  Angelica Kauffman: Artist, Superwoman, Influencer , a fine exhibition now on at the Kunstpalast in Dusseldorf that will be heading to London, and naturally the  Royal Academy , this summer. Kauffman was born in Chur in eastern Switzerland in 1741 and was a child prodigy, not just as a painter but also as a singer...
Post a Comment
Read more