The Art Exhibitions Blog

A very eclectic mix of shows this month, and we're starting with an exhibition that's not art at all, but of vital interest to everyone. The Science Museum is investigating the Future of Food , looking at new advances in growing, making, cooking and eating it. On from July 24 to January 4, it's free, though you need to book. Oh, and you get to see this 3,500-year-old sourdough loaf..... At the Lowry in Salford, they're offering a double bill of Quentin Blake and Me & Modern Life: The LS Lowry Collection . The show about Blake, who's written or illustrated more than 500 books, looks aimed at a family audience, while the Lowry exhibition includes borrowed works, marking the Salford arts centre's 25th anniversary. On from July 19 to January 4, and entry is again free, though you need to book a timeslot.  Another anniversary this year is the 250th of the birth of Jane Austen; among the exhibitions around the country is one in Winchester, the city where she died ...

For the Victorians, art wasn't just about what you could see on the canvas; it could also activate your other senses.  Scented Visions: Smell in Art 1850-1914 at the Watts Gallery near Guildford takes you on an olfactory journey back in time. And it's also a social-history lesson, showing the way art reflected how Victorian life was not just a bed of roses. In this picture, the actress Ellen Terry is holding an eye-catching red flower close to her nose, which we assumed was so that she could inhale the fragrance. It's the poster image for this show and a perfect way to promote an exhibition about smell. But, as the wall caption points out, the blooms are camellias, which have no scent; she's acting smelling, and she must choose between the camellias and the nobler values of the humble fragrant violets in her other hand, reflecting her choice to give up the stage for life as the muse of the great Victorian artist, GF Watts, 30 years older than her, and who painted this ...

Self-portraits; now, we've seen quite a lot of exhibitions of those over the years. You know how Rembrandt or Vincent van Gogh saw themselves. But how do artists depict other artists? What happens when Peter Blake meets David Hockney, when Eric Ravilious takes on Edward Bawden? Answers can be found at the Pallant House Gallery in Chichester in a very interesting and illuminating exhibition entitled  Seeing Each Other: Portraits of Artists .  And sometimes the artist you see is a different artist from the one you might be expecting. When Mary McCartney photographed Tracey Emin in 2000, what came out was Frida Kahlo. McCartney felt a close affinity with the Mexican artist, and so did Emin, whose controversial My Bed had just been shortlisted for the Turner Prize. McCartney said she'd had a daydream of Emin as Kahlo, who spent a lot of time in bed herself as a result of her disabling injuries.  Emin was made up and dressed for the shoot, and then, according to McCartney , "...