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The Fabric of Faith

We must confess that religious paintings are not our favourite subject, and we've tended to regard Spanish Catholic art as being, well, just a little too religious to cope with. So we approached the Francisco de  Zurbarán  exhibition at the National Gallery in London with a certain amount of trepidation. A degree of contrition is due.... Yes, there were monks, altarpieces and lots of saints, but we were blown away by Zurbarán's ability to depict textures and fabrics and to convey an intensity of feeling.  It's an absolutely excellent exhibition, full of truly beautiful paintings. Such religious art was intended to bring the faithful closer to God, to bridge the gap between Heaven and Earth, in an age when many could not read. Zurbarán was a master at it. Let's start with a saint: Just take a look at the fabrics, trimmings and gems in this picture. And the garments are even more striking when you are stood in front of this nearly life-size figure.  This is Casild...
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Opening and Closing in December

The 17th- and 18th-century Palace of Versailles wasn't just wealth, pomp and opulence; it was also a place where France's kings encouraged and promoted scientific research and innovation. The story will be revealed in Versailles: Science & Splendour at the Science Museum in London from December 12 to April 21, featuring historic objects and art from Versailles and other French collections. 
A new free display at the National Gallery focuses on a painting that's going back on show after 10 years of conservation. Parmigianino: The Vision of Saint Jerome explores a work created by an artist seen by the Pope as another Raphael. December 5 to March 9. 

Can you deduce what a pronkstilleven is? It's a Dutch word, and the painting below is the perfect illustration. One of the Golden Age artists who specialised in the genre of sumptuous still lives was Jan Davidsz de Heem; he painted four enormous such scenes that are now being displayed together for the first time ever at the Fitzwilliam Museum in Cambridge. Picturing Excess: Jan Davidsz de Heem is open from December 3 to April 13, and it's free to get in.  
If you go off to Paris this month, you're sure of a big surprise. It might be a bit cold for a picnic, but (almost) every bear that ever there was will be gathered at the Musée des Arts décoratifs for My Teddy Bear, the history of everybody's favourite soft toy (and there are 400 bears in the MAD collection!). The show runs from December 4 to June 22. 

Last chance to see.... 

December 10 is the final day for the retrospective at the Royal Academy in London of the career of Michael Craig-Martin. He's best known for his colourful paintings of everyday objects, but his early conceptual-art period is a lot more fun that you might expect. 
And you have most of Advent to see some of the original artwork behind the iconic images of The Snowman and Father Christmas in Bloomin' Brilliant: The Life and Works of Raymond Briggs at Ditchling Museum of Art + Craft in East Sussex. Other characters created by one of Britain's most beloved illustrators, including Fungus the Bogeyman, are also part of the fun, which ends on December 22. 

Images

Print showing ascent of a Montgolfier balloon, 1783. © Science Museum Group
Jan Davidsz de Heem (1606-1683/84), A Banquet Still Life, 1643, Private collection, New York
Michael Craig-Martin (born 1941), Eye of the Storm, 2003, Irish Museum of Modern Art, Dublin. © Michael Craig-Martin. Photo: Prudence Cuming Associates Ltd. Image courtesy of Gagosian
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