Skip to main content

Eastbourne Says No to Fascism

Terrible times: poverty and unemployment everywhere around; right-wing strongmen and populists in power overseas; and the shadow of war hanging over it all. Times for artists to take a stand.  And, in the 1930s, some of them did, forming a group in London called the Artists International Association. Their story is the subject of  Comrades in Art: Artists against Fascism at Towner Eastbourne, a show with a lot of very interesting art amid fascinating history -- but rather too much detail to absorb easily. There are many little-known or unknown names to conjure with, and it's a big exhibition; this is a venue where you never feel short-changed.  Let's plunge straight into the action, because it's all kicking off in Trafalgar Square, where the police are going in violently against protesters who've arrived in London after a hunger march against unemployment.   The Struggle between the Unemployed and the Police Forces  (also known as Hunger Marchers Entering ...
Post a Comment

Subscribe to updates

Opening and Closing in December

The 17th- and 18th-century Palace of Versailles wasn't just wealth, pomp and opulence; it was also a place where France's kings encouraged and promoted scientific research and innovation. The story will be revealed in Versailles: Science & Splendour at the Science Museum in London from December 12 to April 21, featuring historic objects and art from Versailles and other French collections. 
A new free display at the National Gallery focuses on a painting that's going back on show after 10 years of conservation. Parmigianino: The Vision of Saint Jerome explores a work created by an artist seen by the Pope as another Raphael. December 5 to March 9. 

Can you deduce what a pronkstilleven is? It's a Dutch word, and the painting below is the perfect illustration. One of the Golden Age artists who specialised in the genre of sumptuous still lives was Jan Davidsz de Heem; he painted four enormous such scenes that are now being displayed together for the first time ever at the Fitzwilliam Museum in Cambridge. Picturing Excess: Jan Davidsz de Heem is open from December 3 to April 13, and it's free to get in.  
If you go off to Paris this month, you're sure of a big surprise. It might be a bit cold for a picnic, but (almost) every bear that ever there was will be gathered at the Musée des Arts décoratifs for My Teddy Bear, the history of everybody's favourite soft toy (and there are 400 bears in the MAD collection!). The show runs from December 4 to June 22. 

Last chance to see.... 

December 10 is the final day for the retrospective at the Royal Academy in London of the career of Michael Craig-Martin. He's best known for his colourful paintings of everyday objects, but his early conceptual-art period is a lot more fun that you might expect. 
And you have most of Advent to see some of the original artwork behind the iconic images of The Snowman and Father Christmas in Bloomin' Brilliant: The Life and Works of Raymond Briggs at Ditchling Museum of Art + Craft in East Sussex. Other characters created by one of Britain's most beloved illustrators, including Fungus the Bogeyman, are also part of the fun, which ends on December 22. 

Images

Print showing ascent of a Montgolfier balloon, 1783. © Science Museum Group
Jan Davidsz de Heem (1606-1683/84), A Banquet Still Life, 1643, Private collection, New York
Michael Craig-Martin (born 1941), Eye of the Storm, 2003, Irish Museum of Modern Art, Dublin. © Michael Craig-Martin. Photo: Prudence Cuming Associates Ltd. Image courtesy of Gagosian
Labels:

Comments

Post a Comment

Popular posts from this blog

An Englishman Abroad: John Frederick Lewis

The Victorians had a taste for the exotic. The chance to be transported, as if on a magic carpet, away from rainy, smoky Britain to the delights of the East. And so they were captivated by the pictures John Frederick Lewis made of Egypt. Drawings and paintings so full of detail, so full of local colour, they were seen by his contemporaries as "accurately and intimately true".  John Frederick Lewis: Facing Fame at the Watts Gallery in Compton, Surrey traces the story of an English artist who not only travelled to the Orient, he was so wooed by it that he stayed in Cairo for a decade. And who, when he eventually returned to Britain, continued to paint Oriental-inspired scenes. "There was something un-English about him," John Ruskin said.  And here we are in Cairo's El Khan Khalil textile market. Full of colourful fabrics and carpets, turbanned extras, the obligatory sleeping dog and an Islamic arch. And in the foreground, a prosperous merchant himsel...
Post a Comment
Read more

What's On in 2026

Coming up in 2026: Lots more big exhibitions starring women artists, including Frida Kahlo, Leonor Fini, Leonora Carrington and Gwen John , as well as a host of names from the 17th-century Low Countries. And women almost certainly embroidered the Bayeux Tapestry, a contender for this year's hottest ticket in London.   Here's a selection of shows that have caught our eye around Britain and Europe, in more or less chronological order; as ever, we make no claim to comprehensiveness, and our choice very much reflects our personal taste. January We'll start the year at the Fondation Beyeler on the outskirts of Basel, where they're devoting an exhibition to Paul Cezanne . Focusing on the artist's later years, the show will bring together some 80 oil paintings and watercolours. January 25 to May 25.  February Two leading British women artists feature in exhibitions opening this month, with the National Museum in Cardiff honouring the best-known female painter Wales has pr...
1 comment
Read more

The Highs and Lows of the Nahmad Collection

It's widely referred to as the world's most valuable private art collection : the one assembled over decades by the Nahmad brothers, dealers Ezra and David . Worth an estimated $3 billion or more, it's said to include hundreds of Picassos. Some 60 works from it are now on display at the Musée des impressionnismes in Giverny as  The Nahmad Collection: From Monet to Picasso . Intended, apparently, to demonstrate how art developed from the early 19th century through Impressionism and on to the start of the modern era, towards the liberation of colour and form, this is an exhibition that ends up coming across as somewhat incoherent. We're not really told much about the Nahmads or their collecting choices -- and as you search the Internet, things become slightly mysterious: Is Ezra alive or dead? The art, presumably, is supposed to speak for itself, but it's a rather eclectic, if not confusing, selection; some of the works are fantastic, some are distinctly ho-hum.  Let...
Post a Comment
Read more