Skip to main content

Very Rich Hours in Chantilly

It is a once-in-a-lifetime experience: the chance to see one of the greatest -- and most fragile -- works of European art before your very eyes. The illustrated manuscript known as the  Très Riches Heures du Duc de Berry contains images that have shaped our view of the late Middle Ages, but it's normally kept under lock and key at the Château de Chantilly, north of Paris. It's only been exhibited twice in the past century. Now newly restored, the glowing pages of  Les Très Riches Heures du Duc de Berry are on show to the public for just a few months. "Approche, approche," the Duke of Berry's usher tells the visitors to the great man's table for the feast that will mark the start of the New Year. It's also your invitation to examine closely the illustration for January, one of the 12 months from the calendar in this Book of Hours -- a collection of prayers and other religious texts -- that form the centrepiece of this exhibition in Chantilly.  It's su...

Subscribe to updates

Opening and Closing in August

Let's start off this month with Hockney and Piero: A Longer Look at the National Gallery in London. This free one-room show, running from August 8, brings together two David Hockney paintings with a picture from the gallery, Piero della Francesca's The Baptism of Christ, that is depicted in both works. On until October 27.
The Ashmolean Museum in Oxford's new exhibition is Money Talks: Art, Society & Power, starting on August 9. This show aims to look at art on currency, and currency in art, bringing together notes and coins from history as well as work by artists from Rembrandt to Andy Warhol and Grayson Perry. It runs until January 5. 

Starting on August 24 is the last of the major exhibitions around Germany marking the 250th anniversary of the birth of Caspar David Friedrich. This one is on at the Albertinum and the Royal Palace in Dresden, where Friedrich lived and worked for more than 40 years. Caspar David Friedrich: Where It All Started is on until January 5. 
Heading north to Copenhagen now, for a show at the SMK, Denmark's national gallery, with the rather convoluted title Against All Odds -- Historical Women and New Algorithms. This exhibition, on from August 31 to December 8, looks at 24 women artists from 1870 to 1910 who left the Nordic countries to pursue their ambitions elsewhere in Europe. The Finn Helene Schjerfbeck is among the best known. And if you're attracted by that show, you'll also want to take the short stroll across the park to the Hirschsprung Collection for Women Visualising the Modern: Danish Art 1880-1910. That one is open from August 28 to January 12. 

Last chance to see....

You have until August 26 to get to Rottingdean, on the eastern edge of Brighton, for Prydie: The Life and Art of Mabel Pryde Nicholson 1871-1918. It's the first exhibition in over a century of the work of the wife of William Nicholson and the father of Ben Nicholson, in their former home, and entry is free. 
The new football season is just starting, but September 1 is the final day of Football: Designing the Beautiful Game at Wolverhampton Art Gallery. We saw the original version of the show at London's Design Museum in 2022. 

Images

David Hockney (born 1937), My Parents, 1977, Tate. © David Hockney; Photo: Tate, London
Caspar David Friedrich (1774-1840), Wanderer above the Sea of Fog, around 1817, Hamburger Kunsthalle. © SHK/Hamburger Kunsthalle/bpk; Photo: Elke Walford
Mabel Pryde Nicholson (1871-1918), The Grange, c. 1911, Scottish National Gallery

 

Comments

Popular posts from this blog

What's On in 2025

What will be the exhibition highlights of 2025 around Britain and Europe? At the end of the year, Tate Britain will be marking 250 years since the birth of JMW Turner and John Constable with a potential blockbuster. Meanwhile, the Swiss are  making a big thing  of the 100th anniversary of the death of Félix Vallotton  (a real favourite of ours). Among women artists in the spotlight will be Anna Ancher, Ithell Colquhoun, Artemisia Gentileschi and Suzanne Valadon. Here's a selection of what's coming up, in more or less chronological order; as ever, we make no claim to comprehensiveness, and our choice very much reflects our personal taste. And in our search for the most interesting shows, we're visiting Ascona, Baden-Baden, Chemnitz and Winterthur, among other places.  January  We start off in Paris, at the Pompidou Centre; the 1970s inside-out building is showing its age and it'll be shut in the summer for a renovation programme scheduled to last until 2030. Bef...

Carrington: You've Met Leonora, Now Discover Dora

Carrington: She only wanted to be known by her surname, unwittingly posing a conundrum for art historians, curators and the wider world a century later.  Because it's another somewhat later Carrington, the long-lived Surrealist and totally unrelated, who's recently become Britain's most expensive woman artist. But today we're at Pallant House Gallery in Chichester to see an exhibition not about Leonora but about Dora Carrington. She hated that name Dora -- so Victorian -- but with Leonora so much in the limelight (and the subject of a  recent show at Newlands House in Petworth, just a few miles up the road), the curators at the Pallant didn't have much option, so they've had to call their retrospective  Dora Carrington: Beyond Bloomsbury .  Leonora was a bit of a rebel, as we found out in Petworth. Dora too. But we ought to respect her wish. Carrington, then, has been a bit neglected recently; this is the first show of her works in three decades. And while ther...

The Highs and Lows of the Nahmad Collection

It's widely referred to as the world's most valuable private art collection : the one assembled over decades by the Nahmad brothers, dealers Ezra and David . Worth an estimated $3 billion or more, it's said to include hundreds of Picassos. Some 60 works from it are now on display at the Musée des impressionnismes in Giverny as  The Nahmad Collection: From Monet to Picasso . Intended, apparently, to demonstrate how art developed from the early 19th century through Impressionism and on to the start of the modern era, towards the liberation of colour and form, this is an exhibition that ends up coming across as somewhat incoherent. We're not really told much about the Nahmads or their collecting choices -- and as you search the Internet, things become slightly mysterious: Is Ezra alive or dead? The art, presumably, is supposed to speak for itself, but it's a rather eclectic, if not confusing, selection; some of the works are fantastic, some are distinctly ho-hum.  Let...