Skip to main content

Very Rich Hours in Chantilly

It is a once-in-a-lifetime experience: the chance to see one of the greatest -- and most fragile -- works of European art before your very eyes. The illustrated manuscript known as the  Très Riches Heures du Duc de Berry contains images that have shaped our view of the late Middle Ages, but it's normally kept under lock and key at the Château de Chantilly, north of Paris. It's only been exhibited twice in the past century. Now newly restored, the glowing pages of  Les Très Riches Heures du Duc de Berry are on show to the public for just a few months. "Approche, approche," the Duke of Berry's usher tells the visitors to the great man's table for the feast that will mark the start of the New Year. It's also your invitation to examine closely the illustration for January, one of the 12 months from the calendar in this Book of Hours -- a collection of prayers and other religious texts -- that form the centrepiece of this exhibition in Chantilly.  It's su...
Post a Comment

Subscribe to updates

Opening and Closing in December

"Here she comes/You better watch your step/She's going to break your heart in two/It's true." Lou Reed wrote the song; Now the Kunsthalle in Hamburg brings you the pictures. Femme Fatale: Gaze -- Power -- Gender looks at how painters in the late 19th and early 20th centuries -- Pre-Raphaelites, Symbolists and Impressionists among them -- developed the image, as well as how modern women artists have attempted to reinterpret it. With around 200 exhibits, it's on from December 9 to April 10. 
Our preview this month is very much centred on Germany as that is where most of the openings are this December. In Berlin, the Sammlung Scharf-Gerstenberg is looking back a full century to the premiere of the seminal horror movie with Phantoms of the Night: 100 Years of Nosferatu. The curators explore how FW Murnau's 1922 film drew on sources such as Goya and Caspar David Friedrich and how this silent movie went on to influence the Surrealists as well as popular culture down to the present day. This one runs from December 16 to April 23. 

What if German history had turned out differently? Not once but many times over the last two turbulent centuries. What if the 1961 standoff between Soviet and US forces at Checkpoint Charlie had turned violent? What if the East German leadership had used force against mass protests in 1989? These are among the questions being asked at the Deutsches Historisches Museum in Berlin from December 9 in Roads Not Taken. And what if you can't make it in 2023? Don't worry, it doesn't close until.... November 24, 2024! 

One show outside Germany: Christmas Eve sees the start of an exhibition at the Kunsthal in Rotterdam featuring the work of Dutch women artists from the first half of the 20th century. Charley Toorop is perhaps the best-known of the 24 painters and sculptors in Women's Palette 1900-1950, which runs until April 9. 

Last chance to see....

The small free show rediscovering the fascinating story of the severely disabled 19th-century miniature painter Sarah Biffin, "Without Hands", can be seen at London's Philip Mould gallery until December 21 and is well worth a visit.  

Still on until December 23 at the Guildhall Art Gallery in the City of London is an exhibition devoted to art Inspired! by music, writing and the theatre; alas, it's by no means the best show we've seen at the venue.

Images

John William Waterhouse, Circe Offering the Cup to Ulysses, 1891. © Gallery Oldham
Sir Thomas Lawrence, John Philip Kemble as Coriolanus, 1798, Guildhall Art Gallery, City of London



Labels:

Comments

Post a Comment

Popular posts from this blog

What's On in 2025

What will be the exhibition highlights of 2025 around Britain and Europe? At the end of the year, Tate Britain will be marking 250 years since the birth of JMW Turner and John Constable with a potential blockbuster. Meanwhile, the Swiss are  making a big thing  of the 100th anniversary of the death of Félix Vallotton  (a real favourite of ours). Among women artists in the spotlight will be Anna Ancher, Ithell Colquhoun, Artemisia Gentileschi and Suzanne Valadon. Here's a selection of what's coming up, in more or less chronological order; as ever, we make no claim to comprehensiveness, and our choice very much reflects our personal taste. And in our search for the most interesting shows, we're visiting Ascona, Baden-Baden, Chemnitz and Winterthur, among other places.  January  We start off in Paris, at the Pompidou Centre; the 1970s inside-out building is showing its age and it'll be shut in the summer for a renovation programme scheduled to last until 2030. Bef...
Post a Comment
Read more

Carrington: You've Met Leonora, Now Discover Dora

Carrington: She only wanted to be known by her surname, unwittingly posing a conundrum for art historians, curators and the wider world a century later.  Because it's another somewhat later Carrington, the long-lived Surrealist and totally unrelated, who's recently become Britain's most expensive woman artist. But today we're at Pallant House Gallery in Chichester to see an exhibition not about Leonora but about Dora Carrington. She hated that name Dora -- so Victorian -- but with Leonora so much in the limelight (and the subject of a  recent show at Newlands House in Petworth, just a few miles up the road), the curators at the Pallant didn't have much option, so they've had to call their retrospective  Dora Carrington: Beyond Bloomsbury .  Leonora was a bit of a rebel, as we found out in Petworth. Dora too. But we ought to respect her wish. Carrington, then, has been a bit neglected recently; this is the first show of her works in three decades. And while ther...
Post a Comment
Read more

The Highs and Lows of the Nahmad Collection

It's widely referred to as the world's most valuable private art collection : the one assembled over decades by the Nahmad brothers, dealers Ezra and David . Worth an estimated $3 billion or more, it's said to include hundreds of Picassos. Some 60 works from it are now on display at the Musée des impressionnismes in Giverny as  The Nahmad Collection: From Monet to Picasso . Intended, apparently, to demonstrate how art developed from the early 19th century through Impressionism and on to the start of the modern era, towards the liberation of colour and form, this is an exhibition that ends up coming across as somewhat incoherent. We're not really told much about the Nahmads or their collecting choices -- and as you search the Internet, things become slightly mysterious: Is Ezra alive or dead? The art, presumably, is supposed to speak for itself, but it's a rather eclectic, if not confusing, selection; some of the works are fantastic, some are distinctly ho-hum.  Let...
Post a Comment
Read more