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Symphonies and Nocturnes on Canvas

The  James McNeill Whistler  exhibition at Tate Britain is big, probably a bit too big, but it's packed with beautiful pictures and it's not in the least bit boring.  That's not surprising as Whistler led a colourful life, never shying from controversy and confrontation -- notably pursuing a high-profile libel case against John Ruskin  -- and he produced art that was groundbreaking, hugely influential and enormously atmospheric. Including, of course, probably one of the most recognisable paintings in art history, that of his mother in profile, dressed in black. It's in this show, and we'll be taking a look at it shortly.  But we start in Whistler's studio, where the artist has painted himself at work, palette and brush in his hands, and looking out directly at us, the viewers. This is the first picture you see in the show, and we're told that for Whistler, the studio was a place for public performance, as well as making art. So here he is, making a statemen...
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Opening and Closing in December

"Here she comes/You better watch your step/She's going to break your heart in two/It's true." Lou Reed wrote the song; Now the Kunsthalle in Hamburg brings you the pictures. Femme Fatale: Gaze -- Power -- Gender looks at how painters in the late 19th and early 20th centuries -- Pre-Raphaelites, Symbolists and Impressionists among them -- developed the image, as well as how modern women artists have attempted to reinterpret it. With around 200 exhibits, it's on from December 9 to April 10. 
Our preview this month is very much centred on Germany as that is where most of the openings are this December. In Berlin, the Sammlung Scharf-Gerstenberg is looking back a full century to the premiere of the seminal horror movie with Phantoms of the Night: 100 Years of Nosferatu. The curators explore how FW Murnau's 1922 film drew on sources such as Goya and Caspar David Friedrich and how this silent movie went on to influence the Surrealists as well as popular culture down to the present day. This one runs from December 16 to April 23. 

What if German history had turned out differently? Not once but many times over the last two turbulent centuries. What if the 1961 standoff between Soviet and US forces at Checkpoint Charlie had turned violent? What if the East German leadership had used force against mass protests in 1989? These are among the questions being asked at the Deutsches Historisches Museum in Berlin from December 9 in Roads Not Taken. And what if you can't make it in 2023? Don't worry, it doesn't close until.... November 24, 2024! 

One show outside Germany: Christmas Eve sees the start of an exhibition at the Kunsthal in Rotterdam featuring the work of Dutch women artists from the first half of the 20th century. Charley Toorop is perhaps the best-known of the 24 painters and sculptors in Women's Palette 1900-1950, which runs until April 9. 

Last chance to see....

The small free show rediscovering the fascinating story of the severely disabled 19th-century miniature painter Sarah Biffin, "Without Hands", can be seen at London's Philip Mould gallery until December 21 and is well worth a visit.  

Still on until December 23 at the Guildhall Art Gallery in the City of London is an exhibition devoted to art Inspired! by music, writing and the theatre; alas, it's by no means the best show we've seen at the venue.

Images

John William Waterhouse, Circe Offering the Cup to Ulysses, 1891. © Gallery Oldham
Sir Thomas Lawrence, John Philip Kemble as Coriolanus, 1798, Guildhall Art Gallery, City of London



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