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Stubbs, a Thoroughbred Painter of Horses

No one before had ever painted horses like George Stubbs. Not only did they look incredibly lifelike, he seemed able to capture their individual character -- a talent that ensured he could command extremely high prices for his work from wealthy and influential patrons.  There's now a rare chance to appreciate the only one of the painter's outstanding lifesize equine canvases still in private hands in a small free exhibition,  Stubbs: Portrait of a Horse , in Room 1 at the National Gallery in London. This is Scrub, eight times a race winner, who like the gallery's Whistlejacket belonged to one of those rich patrons, the Marquess of Rockingham, and he commissioned both pictures in about 1762.  Scrub, again like Whistlejacket, was depicted not just as a racehorse, under the control of a jockey or stable boy, but in a grand manner, intended to serve as the steed in an equine portrait of George III, who had recently come to the throne. Other specialist painters would be u...
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Opening in August

August tends to be a relatively thin month for exhibition openings, but we do have a couple of events to tell you about in London, as well as three in and around Berlin.  

August 3 marks the 300th anniversary of the death of Grinling Gibbons, Britain's greatest ever woodcarver, and appropriately it's the opening day of a touring exhibition to celebrate his legacy. Grinling Gibbons: Centuries in the Making will run until August 27 at Bonhams in London's New Bond Street, featuring some of Gibbons' finest Baroque works, including his astonishing imitation-lace cravat. Entry is free. The show can then be seen at Compton Verney in Warwickshire from September 25 to January 30. 

Just before this year's (or should it be last year's?) Olympics close in Tokyo, an exhibition opens looking back to how the previous games in the city brought Japan into the modern era with innovations such as the Shinkansen bullet train. Tokyo 1964: Designing Tomorrow at Japan House London on Kensington High Street will run from August 5 to November 7 and include original posters, costumes and architectural models. This is another show to which admission is free of charge. 
Alexander Calder revolutionised sculpture with the invention of the mobile (no, not the phone!), and there are mobiles and stabiles large and small and lots more in an exhibition being staged at the Neue Nationalgalerie in Berlin as part of the museum's reopening after five years of restoration and refurbishment. One of Calder's more monumental pieces stands outside the modernist building by Mies van der Rohe. Alexander Calder: Minimal/Maximal is on from August 22 until February 13.
Back in 2019, we saw a fascinating exhibition at the Design Museum in Den Bosch about design in the Third Reich, which featured the work of artists like Arno Breker, one of Hitler's favourites and creator of sculptures for the Führer's chancellery. But what happened after the war to those painters and sculptors who worked for the Nazis? Find out at Berlin's Deutsches Historisches Museum from August 27 in 'Divinely Gifted': National Socialism's Favoured Artists in the Federal Republic. Until December 5.

Coming to the Museum Barberini in Potsdam on August 28 is Impressionism in Russia: Dawn of the Avant-Garde, an exhibition delayed from last winter because of the coronavirus pandemic. With over 80 works, this show aims to place Russian art from around 1900 in the context of of western European modern art. On until January 9, the exhibition is being staged in cooperation with the State Tretyakov Gallery in Moscow. 

Images

1964 Tokyo Olympics Official Poster, The Hinomaru (Sun) Flag. Courtesy of Prince Chichibu Memorial Sports Museum
Alexander Calder, Têtes et Queue, 1965, in front of the Neue Nationalgalerie, Berlin. © Staatliche Museen zu Berlin, Nationalgalerie/Reinhard Friedrich
Mikhail Larionov, Lilacs, 1904-5, State Tretyakov Gallery, Moscow. © VG Bild-Kunst, Bonn 2020

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