Self-portraits; now, we've seen quite a lot of exhibitions of those over the years. You know how Rembrandt or Vincent van Gogh saw themselves. But how do artists depict other artists? What happens when Peter Blake meets David Hockney, when Eric Ravilious takes on Edward Bawden? Answers can be found at the Pallant House Gallery in Chichester in a very interesting and illuminating exhibition entitled Seeing Each Other: Portraits of Artists . And sometimes the artist you see is a different artist from the one you might be expecting. When Mary McCartney photographed Tracey Emin in 2000, what came out was Frida Kahlo. McCartney felt a close affinity with the Mexican artist, and so did Emin, whose controversial My Bed had just been shortlisted for the Turner Prize. McCartney said she'd had a daydream of Emin as Kahlo, who spent a lot of time in bed herself as a result of her disabling injuries. Emin was made up and dressed for the shoot, and then, according to McCartney , "...
It's the month before Christmas, and all through the house, there's not a lot stirring in terms of new exhibitions.
At the Wallace Collection in London, December 4 sees the opening of Forgotten Masters: Indian Painting for the East India Company. Curated by writer and historian William Dalrymple, this is the first show in the UK of works by Indian painters for the trading company that effectively ruled large parts of the subcontinent in the 18th and 19th centuries. Until April 19.
We've seen some superb exhibitions at the Kunsthalle in Hamburg in the past, and their new show brings together three really big names: Goya, Fragonard, Tiepolo. With around 100 works, the exhibition will examine the disparity of 18th-century art in an age of great political, technological and social change. December 13 to April 13.
And in Italy, the Palazzo dei Diamanti in Ferrara is devoting a show to Giuseppe De Nittis, the Italian painter closely associated with the French Impressionists. It's on from December 1 to April 13.
Image of Fleet St taken from a 1967 Greater London Council report on the feasibility of introducing monorails in central London, London Metropolitan Archives (City of London)
At the Wallace Collection in London, December 4 sees the opening of Forgotten Masters: Indian Painting for the East India Company. Curated by writer and historian William Dalrymple, this is the first show in the UK of works by Indian painters for the trading company that effectively ruled large parts of the subcontinent in the 18th and 19th centuries. Until April 19.
We've seen some superb exhibitions at the Kunsthalle in Hamburg in the past, and their new show brings together three really big names: Goya, Fragonard, Tiepolo. With around 100 works, the exhibition will examine the disparity of 18th-century art in an age of great political, technological and social change. December 13 to April 13.
And in Italy, the Palazzo dei Diamanti in Ferrara is devoting a show to Giuseppe De Nittis, the Italian painter closely associated with the French Impressionists. It's on from December 1 to April 13.
Last chance to see....
Two complementary shows are finishing at the Guildhall Art Gallery in the City of London. December 1 is the last day for Architecture of London, an exhibition that looks back at how artists have viewed the metropolis over four centuries, while The London that Never Was, a quirky free display on the buildings and projects that failed to get constructed, closes a week later.
And in Copenhagen, one of the best exhibitions of the year, a huge retrospective of the Danish Golden Age in the 19th century, ends its run at the National Gallery on December 8. It will be on again at the Petit Palais in Paris from April 28.
Images
Francisco José de Goya y Lucientes, Don Tomás Pérez Estala, c. 1795. © Hamburger Kunsthalle/bpk, Photo: Elke WalfordImage of Fleet St taken from a 1967 Greater London Council report on the feasibility of introducing monorails in central London, London Metropolitan Archives (City of London)
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