It takes a split second these days to create an image, and how many millions are recorded daily on mobile phones, possibly never to be looked at again? You can see it all happening in the palatial surroundings of the Kunsthistorisches Museum in Vienna, definitely one of those tick-off destinations on many travellers' bucket lists, where those in search of instant pictorial satisfaction throng the imposing statue-lined staircase for a selfie or pout for a photo in the café under the spectacular cupola. But we're not in Vienna for a quick fix, we're at the KHM to admire something more enduring in the shape of art produced almost 500 years ago by Rembrandt and his pupil Samuel van Hoogstraten that was intended to mislead your eyes into seeing the real in the unreal. Artistic deception is the story at the centre of Rembrandt--Hoogstraten: Colour and Illusion , one of the most engrossing and best-staged exhibitions we've seen this year. And, somewhat surprisingly, a show wi...
It's the month before Christmas, and all through the house, there's not a lot stirring in terms of new exhibitions.
At the Wallace Collection in London, December 4 sees the opening of Forgotten Masters: Indian Painting for the East India Company. Curated by writer and historian William Dalrymple, this is the first show in the UK of works by Indian painters for the trading company that effectively ruled large parts of the subcontinent in the 18th and 19th centuries. Until April 19.
We've seen some superb exhibitions at the Kunsthalle in Hamburg in the past, and their new show brings together three really big names: Goya, Fragonard, Tiepolo. With around 100 works, the exhibition will examine the disparity of 18th-century art in an age of great political, technological and social change. December 13 to April 13.
And in Italy, the Palazzo dei Diamanti in Ferrara is devoting a show to Giuseppe De Nittis, the Italian painter closely associated with the French Impressionists. It's on from December 1 to April 13.
Image of Fleet St taken from a 1967 Greater London Council report on the feasibility of introducing monorails in central London, London Metropolitan Archives (City of London)
At the Wallace Collection in London, December 4 sees the opening of Forgotten Masters: Indian Painting for the East India Company. Curated by writer and historian William Dalrymple, this is the first show in the UK of works by Indian painters for the trading company that effectively ruled large parts of the subcontinent in the 18th and 19th centuries. Until April 19.
We've seen some superb exhibitions at the Kunsthalle in Hamburg in the past, and their new show brings together three really big names: Goya, Fragonard, Tiepolo. With around 100 works, the exhibition will examine the disparity of 18th-century art in an age of great political, technological and social change. December 13 to April 13.
And in Italy, the Palazzo dei Diamanti in Ferrara is devoting a show to Giuseppe De Nittis, the Italian painter closely associated with the French Impressionists. It's on from December 1 to April 13.
Last chance to see....
Two complementary shows are finishing at the Guildhall Art Gallery in the City of London. December 1 is the last day for Architecture of London, an exhibition that looks back at how artists have viewed the metropolis over four centuries, while The London that Never Was, a quirky free display on the buildings and projects that failed to get constructed, closes a week later.
And in Copenhagen, one of the best exhibitions of the year, a huge retrospective of the Danish Golden Age in the 19th century, ends its run at the National Gallery on December 8. It will be on again at the Petit Palais in Paris from April 28.
Images
Francisco José de Goya y Lucientes, Don Tomás Pérez Estala, c. 1795. © Hamburger Kunsthalle/bpk, Photo: Elke WalfordImage of Fleet St taken from a 1967 Greater London Council report on the feasibility of introducing monorails in central London, London Metropolitan Archives (City of London)
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