It is a once-in-a-lifetime experience: the chance to see one of the greatest -- and most fragile -- works of European art before your very eyes. The illustrated manuscript known as the Très Riches Heures du Duc de Berry contains images that have shaped our view of the late Middle Ages, but it's normally kept under lock and key at the Château de Chantilly, north of Paris. It's only been exhibited twice in the past century. Now newly restored, the glowing pages of Les Très Riches Heures du Duc de Berry are on show to the public for just a few months. "Approche, approche," the Duke of Berry's usher tells the visitors to the great man's table for the feast that will mark the start of the New Year. It's also your invitation to examine closely the illustration for January, one of the 12 months from the calendar in this Book of Hours -- a collection of prayers and other religious texts -- that form the centrepiece of this exhibition in Chantilly. It's su...
It's the month before Christmas, and all through the house, there's not a lot stirring in terms of new exhibitions.
At the Wallace Collection in London, December 4 sees the opening of Forgotten Masters: Indian Painting for the East India Company. Curated by writer and historian William Dalrymple, this is the first show in the UK of works by Indian painters for the trading company that effectively ruled large parts of the subcontinent in the 18th and 19th centuries. Until April 19.
We've seen some superb exhibitions at the Kunsthalle in Hamburg in the past, and their new show brings together three really big names: Goya, Fragonard, Tiepolo. With around 100 works, the exhibition will examine the disparity of 18th-century art in an age of great political, technological and social change. December 13 to April 13.
And in Italy, the Palazzo dei Diamanti in Ferrara is devoting a show to Giuseppe De Nittis, the Italian painter closely associated with the French Impressionists. It's on from December 1 to April 13.
Image of Fleet St taken from a 1967 Greater London Council report on the feasibility of introducing monorails in central London, London Metropolitan Archives (City of London)
At the Wallace Collection in London, December 4 sees the opening of Forgotten Masters: Indian Painting for the East India Company. Curated by writer and historian William Dalrymple, this is the first show in the UK of works by Indian painters for the trading company that effectively ruled large parts of the subcontinent in the 18th and 19th centuries. Until April 19.
We've seen some superb exhibitions at the Kunsthalle in Hamburg in the past, and their new show brings together three really big names: Goya, Fragonard, Tiepolo. With around 100 works, the exhibition will examine the disparity of 18th-century art in an age of great political, technological and social change. December 13 to April 13.
And in Italy, the Palazzo dei Diamanti in Ferrara is devoting a show to Giuseppe De Nittis, the Italian painter closely associated with the French Impressionists. It's on from December 1 to April 13.
Last chance to see....
Two complementary shows are finishing at the Guildhall Art Gallery in the City of London. December 1 is the last day for Architecture of London, an exhibition that looks back at how artists have viewed the metropolis over four centuries, while The London that Never Was, a quirky free display on the buildings and projects that failed to get constructed, closes a week later.
And in Copenhagen, one of the best exhibitions of the year, a huge retrospective of the Danish Golden Age in the 19th century, ends its run at the National Gallery on December 8. It will be on again at the Petit Palais in Paris from April 28.
Images
Francisco José de Goya y Lucientes, Don Tomás Pérez Estala, c. 1795. © Hamburger Kunsthalle/bpk, Photo: Elke WalfordImage of Fleet St taken from a 1967 Greater London Council report on the feasibility of introducing monorails in central London, London Metropolitan Archives (City of London)
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