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Very Rich Hours in Chantilly

It is a once-in-a-lifetime experience: the chance to see one of the greatest -- and most fragile -- works of European art before your very eyes. The illustrated manuscript known as the  Très Riches Heures du Duc de Berry contains images that have shaped our view of the late Middle Ages, but it's normally kept under lock and key at the Château de Chantilly, north of Paris. It's only been exhibited twice in the past century. Now newly restored, the glowing pages of  Les Très Riches Heures du Duc de Berry are on show to the public for just a few months. "Approche, approche," the Duke of Berry's usher tells the visitors to the great man's table for the feast that will mark the start of the New Year. It's also your invitation to examine closely the illustration for January, one of the 12 months from the calendar in this Book of Hours -- a collection of prayers and other religious texts -- that form the centrepiece of this exhibition in Chantilly.  It's su...

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Opening and Closing in April

It's one of art's most famous images, though probably not the version you're most familiar with. A black-and-white lithograph of The Scream will be on show at the British Museum in London from April 11 to July 21 as part of Edvard Munch: Love and Angst. The exhibition will focus on the Norwegian Expressionist's prints, with nearly 50 from the Munch Museum in Oslo and a total of 83 artworks on display. Two key sections of the show demonstrate his passion for women, and his fear of them, the museum says.
The next show at the National Gallery is of new work by Irish-born Sean Scully. Sea Star's abstract stripes and chequerboards with their thickly applied paint are inspired by JMW Turner's seascape The Evening Star. April 13 to August 11, and admission is free.

At the British Library, a new exhibition looks at Writing: Making Your Mark across 5,000 years and seven continents. More than 100 objects range from ancient Egyptian hieroglyphs through the first printed edition of The Canterbury Tales to James Joyce's annotated copy of Ulysses. The show runs from April 26 to August 27.
It's the 50th anniversary this year of man's first Moon landing, and the Watts Gallery in Compton, near Guildford, is taking the opportunity to explore 19th-century depictions of the Moon. Moonscapes features pictures by the likes of William Holman Hunt, John Atkinson Grimshaw and GF Watts himself. In orbit over Surrey from April 2 to June 23.

And if you complete half an orbit round London on the M25 from Compton, you'll get to the Henry Moore Studios in Perry Green in Hertfordshire, which reopen on April 3 for the summer. This year's special exhibition is Henry Moore Drawings: The Art of Seeing, the biggest show of his drawings in more than four decades, complementing the sculptures scattered round the gardens of Moore's former home. On until October 27.

The Leopold Museum in Vienna is presenting a huge Oskar Kokoschka retrospective devoted to one of the most prominent artists of the 20th century. The show has already been on at the Kunsthaus in Zurich and features 250 works, some of which have rarely or never been exhibited. April 6 to July 8.

Last chance to see....

If you're in Oslo, the Munch Museum is showing The Swan Princess until April 21: a rare chance to view late 19th-century Russian paintings from Moscow's Tretyakov Gallery in the West alongside works by Munch and other Nordic artists. Some of it we liked a lot; and some we didn't.

Back in London, you have until April 22 to enjoy John Ruskin: The Power of Seeing at Two Temple Place. It's a really good (and free) show about the visionary Victorian art critic, and the venue is a stunning exhibit in its own right.

The current exhibition at London's Queen's Gallery, Russia, Royalty and Romanovs, closes on April 28. The show looks at the relationships between Britain and Russia and their royal families; an interesting history lesson, but the artworks aren't as enthralling as those the Royal Collection generally offers. 

Images

Edvard Munch, The Scream, 1895, Private Collection, Norway. Photo: Thomas Widerberg
Schoolchild’s homework in Greek on a wax tablet, Egypt, 2nd century AD. (c) British Library
Oskar Kokoschka, Self-Portrait, One Hand Touching the Face, 1918-19. (c) Leopold Museum, Vienna

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